{"id":55052,"date":"2024-07-17T08:30:00","date_gmt":"2024-07-17T11:30:00","guid":{"rendered":"https:\/\/mindthegraph.com\/blog\/science-behind-tides-copy\/"},"modified":"2024-07-16T13:35:03","modified_gmt":"2024-07-16T16:35:03","slug":"mhra-citation-style","status":"publish","type":"post","link":"https:\/\/mindthegraph.com\/blog\/tr\/mhra-citation-style\/","title":{"rendered":"At\u0131f K\u0131lavuzu: MHRA Al\u0131nt\u0131 Stilinin Temelleri"},"content":{"rendered":"<p>Bilimsel yaz\u0131lar, formaliteden daha fazlas\u0131 olan do\u011fru al\u0131nt\u0131lar gerektirir; bunlar \u00e7al\u0131\u015fman\u0131n b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc ve g\u00fcvenilirli\u011fini korur. Kaynaklara do\u011fru \u015fekilde at\u0131fta bulunmak, yazarlar\u0131n fikirleri ve ara\u015ft\u0131rmalar\u0131 kendi \u00e7al\u0131\u015fmalar\u0131n\u0131 etkilemi\u015f olan orijinal yazarlara hak ettikleri de\u011feri vermelerini sa\u011flar. Ayr\u0131ca, okuyucular\u0131n bilgileri do\u011frulamas\u0131na, fikirlerin k\u00f6kenlerini izlemesine ve bir konuyu daha fazla ara\u015ft\u0131rmas\u0131na olanak tan\u0131r. Akademik katk\u0131lar\u0131 kabul etmek ve bunlara sayg\u0131 duymak, etkili at\u0131flar sayesinde daha kolay hale gelir. Bu blogda MHRA at\u0131f stili hakk\u0131nda daha fazla bilgi edinmek ve nas\u0131l do\u011fru kullan\u0131lmas\u0131 gerekti\u011fini g\u00f6stermek i\u00e7in bir g\u00f6z atal\u0131m.<\/p>\n\n\n\n<h2>MHRA Al\u0131nt\u0131 Stili Nedir?<\/h2>\n\n\n\n<p>MHRA (Modern Humanities Research Association) At\u0131f Stili, be\u015feri bilimlerde yayg\u0131n olarak kullan\u0131lan bir referans sistemidir, <strong>\u00f6zellikle edebiyat, tarih ve sanat alanlar\u0131nda<\/strong>. Modern Be\u015feri Bilimler Ara\u015ft\u0131rma Derne\u011fi, okuyucular\u0131n al\u0131nt\u0131lar\u0131 takip etmesini ve kaynaklar\u0131 bulmas\u0131n\u0131 kolayla\u015ft\u0131rmak i\u00e7in bu stili geli\u015ftirmi\u015ftir. MHRA stilinde metin i\u00e7i at\u0131flar i\u00e7in dipnotlar ve son notlar kullan\u0131l\u0131r ve bunu kapsaml\u0131 bir kaynak\u00e7a izler. Bu yakla\u015f\u0131m, titiz akademik standartlar\u0131 korurken, ana metni da\u011f\u0131tmadan ayr\u0131nt\u0131l\u0131 al\u0131nt\u0131lar sunarak sorunsuz bir okuma deneyimi sa\u011flar.<\/p>\n\n\n\n<h3>MHRA'y\u0131 Yayg\u0131n Olarak Kullanan Disiplinler ve \u00c7al\u0131\u015fma T\u00fcrleri<\/h3>\n\n\n\n<p>MHRA'ya g\u00f6re, a\u015fa\u011f\u0131daki disiplinler \u00f6ncelikli olarak kendi at\u0131f stilini kullanmaktad\u0131r:<\/p>\n\n\n\n<ul>\n<li><strong>Edebiyat:<\/strong> Metinleri, romanlar\u0131, \u015fiirleri ve oyunlar\u0131 analiz etmek i\u00e7in.<\/li>\n\n\n\n<li><strong>Dilbilim:<\/strong> Dil yap\u0131s\u0131, kullan\u0131m\u0131 ve tarihini tart\u0131\u015f\u0131rken.<\/li>\n\n\n\n<li><strong>Tarih: <\/strong>\u00d6zellikle k\u00fclt\u00fcrel ve entelekt\u00fcel tarih.<\/li>\n\n\n\n<li><strong>Felsefe<\/strong>: Felsefi metinlerin ve fikirlerin tart\u0131\u015f\u0131lmas\u0131nda.<\/li>\n\n\n\n<li><strong>Tiyatro ve Sahne Sanatlar\u0131:<\/strong> Senaryolara, performanslara ve ele\u015ftirel \u00e7al\u0131\u015fmalara referans vermek i\u00e7in.<\/li>\n\n\n\n<li><strong>Sanat Tarihi:<\/strong> G\u00f6rsel sanatlar ve ele\u015ftiri ile ilgili kaynaklara at\u0131fta bulunurken.<\/li>\n<\/ul>\n\n\n\n<p>Bu t\u00fcr disiplinlerde arg\u00fcmanlar\u0131 ve yorumlar\u0131 desteklemek i\u00e7in MHRA uygun bir se\u00e7imdir \u00e7\u00fcnk\u00fc genellikle ayr\u0131nt\u0131l\u0131 metin analizi ve hassas referanslama gerektirir.<\/p>\n\n\n\n<h3>Di\u011fer At\u0131f Stilleriyle Kar\u015f\u0131la\u015ft\u0131rma&nbsp;<\/h3>\n\n\n\n<ol>\n<li><strong>Dipnotlar ve Parantez \u0130\u00e7i Al\u0131nt\u0131lar:<\/strong> MHRA, sayfan\u0131n alt\u0131nda ayr\u0131nt\u0131l\u0131 bilgi sa\u011flamak i\u00e7in dipnotlar ve son notlar kullan\u0131r. Aksine, <a href=\"https:\/\/mindthegraph.com\/blog\/mla-format\/\">MLA<\/a> ve <a href=\"https:\/\/mindthegraph.com\/blog\/apa-formatting-2\/\">APA<\/a> Metin i\u00e7inde parantez i\u00e7i al\u0131nt\u0131lar kullan\u0131n.<\/li>\n\n\n\n<li><strong>Kaynak\u00e7a ve Kaynak G\u00f6sterme Stili:<\/strong> T\u00fcm stiller bir kaynak\u00e7a gerektirse de, gerekli bi\u00e7imlendirme ve ayr\u0131nt\u0131lar farkl\u0131l\u0131k g\u00f6sterir. Yazar ad\u0131, ba\u015fl\u0131\u011f\u0131n b\u00fcy\u00fck harfle yaz\u0131lmas\u0131 ve kaynak yay\u0131n bilgileri gibi unsurlar i\u00e7in MHRA'n\u0131n kaynak\u00e7a giri\u015fleri tipik olarak APA ve MLA'dakilerden daha ayr\u0131nt\u0131l\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>Disipliner Odaklanma:<\/strong> Farkl\u0131 stiller farkl\u0131 akademik disiplinlere hitap eder, ancak MHRA stili, al\u0131nt\u0131lara kapsaml\u0131 ve ayr\u0131nt\u0131l\u0131 yakla\u015f\u0131m\u0131 nedeniyle \u00f6zellikle be\u015feri bilimler i\u00e7in uygundur.<\/li>\n<\/ol>\n\n\n\n<p>Bu farkl\u0131l\u0131klar\u0131 belirleyerek, akademisyenler \u00e7al\u0131\u015fmalar\u0131 i\u00e7in en uygun at\u0131f stilini se\u00e7ebilir, a\u00e7\u0131kl\u0131k, tutarl\u0131l\u0131k ve disiplin kurallar\u0131na ba\u011fl\u0131l\u0131k sa\u011flayabilirler.<\/p>\n\n\n\n<h2>MHRA At\u0131f Stilinin Genel \u0130lkeleri<\/h2>\n\n\n\n<p>Dipnotlar ve son notlar, makalenizde kulland\u0131\u011f\u0131n\u0131z kaynaklara ayr\u0131nt\u0131l\u0131 referanslar sa\u011flamada \u00e7ok \u00f6nemli bir rol oynar. Bir kayna\u011fa at\u0131fta bulunurken, dipnotlar sayfan\u0131n alt\u0131nda, son notlar ise bir b\u00f6l\u00fcm\u00fcn veya belgenin sonunda yer al\u0131r.<\/p>\n\n\n\n<ul>\n<li><strong>Dipnotlar:<\/strong> K\u0131sa belgelerde veya makalelerde, al\u0131nt\u0131n\u0131n haz\u0131r bulunmas\u0131n\u0131n uygun oldu\u011fu durumlarda kullan\u0131l\u0131r.<\/li>\n\n\n\n<li><strong>Son notlar:<\/strong> \u00c7ok say\u0131da notun sayfay\u0131 kar\u0131\u015ft\u0131rabilece\u011fi kitap ve tez gibi uzun \u00e7al\u0131\u015fmalarda kullan\u0131l\u0131r.<\/li>\n<\/ul>\n\n\n\n<p>Metin i\u00e7indeki dipnotlar ve sonnotlar \u00fcst simge numaralar\u0131na kar\u015f\u0131l\u0131k gelir. Al\u0131nt\u0131lar ilk kez kullan\u0131ld\u0131klar\u0131nda tam referans i\u00e7ermelidir. Metnin okunabilirli\u011fini korumak i\u00e7in ayn\u0131 kayna\u011fa yap\u0131lan sonraki at\u0131flarda k\u0131salt\u0131lm\u0131\u015f form kullan\u0131labilir.<\/p>\n\n\n\n<h3>Kaynak\u00e7an\u0131n \u00d6nemi<\/h3>\n\n\n\n<p>MHRA stilinde kaynak\u00e7a, \u00e7al\u0131\u015fman\u0131z boyunca at\u0131fta bulunulan t\u00fcm kaynaklar\u0131 listeler. Okuyucular, tam yay\u0131n ayr\u0131nt\u0131lar\u0131n\u0131 kullanarak kaynaklar\u0131 kendileri bulabilirler. Etkili bir kaynak\u00e7a \u015funlar\u0131 i\u00e7ermelidir:<\/p>\n\n\n\n<ul>\n<li>\u015eeffafl\u0131k ve akademik b\u00fct\u00fcnl\u00fck sa\u011flar.<\/li>\n\n\n\n<li>Okuyucular\u0131n bilgileri do\u011frulamas\u0131na ve konuyu daha fazla ara\u015ft\u0131rmas\u0131na yard\u0131mc\u0131 olur.<\/li>\n\n\n\n<li>Ara\u015ft\u0131rman\u0131z\u0131n derinli\u011fini ve geni\u015fli\u011fini g\u00f6sterir.<\/li>\n<\/ul>\n\n\n\n<p>Ayr\u0131ca okuyun: <a href=\"https:\/\/mindthegraph.com\/blog\/bibliography-in-research-paper\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ara\u015ft\u0131rma Makalesinde Kaynak\u00e7a: Bu Konuda Her \u015eeyi Bilin<\/a><\/p>\n\n\n\n<p>\u00c7al\u0131\u015fman\u0131z\u0131n sonunda kaynak\u00e7ay\u0131 yazarlar\u0131n soyadlar\u0131na g\u00f6re alfabetik olarak d\u00fczenlemelisiniz.<\/p>\n\n\n\n<h3>Metin \u0130\u00e7i Al\u0131nt\u0131lar ve Notlar Aras\u0131ndaki Farklar<\/h3>\n\n\n\n<p>APA veya MLA'n\u0131n aksine, MHRA stilinde metin i\u00e7i al\u0131nt\u0131lar yerine notlar kullan\u0131l\u0131r. Farkl\u0131l\u0131klar\u0131 g\u00f6stermek i\u00e7in, i\u015fte bir kar\u015f\u0131la\u015ft\u0131rma:<\/p>\n\n\n\n<h4>Metin \u0130\u00e7i Al\u0131nt\u0131lar (APA\/MLA)<\/h4>\n\n\n\n<p>Metin i\u00e7i at\u0131f, metin i\u00e7inde yazar\u0131n soyad\u0131n\u0131 ve yay\u0131n y\u0131l\u0131n\u0131 i\u00e7eren k\u0131sa bir referanst\u0131r (<a href=\"https:\/\/mindthegraph.com\/blog\/apa-formatting-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">APA<\/a>) veya yazar\u0131n soyad\u0131 ve sayfa numaras\u0131 (<a href=\"https:\/\/mindthegraph.com\/blog\/mla-format\/\" target=\"_blank\" rel=\"noreferrer noopener\">MLA<\/a>). K\u0131sa ve \u00f6z olmalar\u0131na ra\u011fmen okuma ak\u0131\u015f\u0131n\u0131 bozabilirler.<\/p>\n\n\n\n<h4><strong>Notlar (MHRA)<\/strong>&nbsp;<\/h4>\n\n\n\n<p>MHRA kaynaklara at\u0131fta bulunmak i\u00e7in dipnotlar veya son notlar kullan\u0131r. Al\u0131nt\u0131 ayr\u0131nt\u0131lar\u0131 bir notta yer al\u0131rken ana metin d\u00fczenli ve okunabilir kal\u0131r. Metin i\u00e7indeki bir al\u0131nt\u0131 \u00f6rne\u011fi a\u015fa\u011f\u0131daki gibi olabilir:<\/p>\n\n\n\n<p><em>Baz\u0131 akademisyenler bu d\u00f6nemin yeni bir \u00e7a\u011f\u0131n ba\u015flang\u0131c\u0131 oldu\u011funu savunmaktad\u0131r.^1<\/em><\/p>\n\n\n\n<p>\u0130lgili dipnot t\u00fcm ayr\u0131nt\u0131lar\u0131 sa\u011flayacakt\u0131r:<\/p>\n\n\n\n<p><em>^1 John Smith, *History of Modern Times* (Paris: Academic Press, 2010), s. 123.<\/em><\/p>\n\n\n\n<p>Be\u015feri bilimler ara\u015ft\u0131rmalar\u0131 genellikle kaynaklara ili\u015fkin kapsaml\u0131 yorumlar ve incelikli tart\u0131\u015fmalar i\u00e7erir, bu nedenle metin i\u00e7i al\u0131nt\u0131lar yerine notlar kullanmak mant\u0131kl\u0131d\u0131r. Bu y\u00f6ntemle hem arg\u00fcman hem de destekleyici kan\u0131tlar daha zarif bir \u015fekilde sunulur.<\/p>\n\n\n\n<h2>Dipnotlar\u0131 ve Sonnotlar\u0131 Bi\u00e7imlendirme<\/h2>\n\n\n\n<p>MHRA at\u0131f stili dipnotlar\u0131 ve son notlar\u0131, akademik \u00e7al\u0131\u015fman\u0131zda referans vermek ve ek yorum sa\u011flamak i\u00e7in temel ara\u00e7lar olarak hizmet eder. Do\u011fru bi\u00e7imlendirildiklerinden emin olmak i\u00e7in burada ayr\u0131nt\u0131l\u0131 bir k\u0131lavuz bulunmaktad\u0131r.<\/p>\n\n\n\n<h3>\u00dcst Simge Say\u0131lar\u0131n\u0131n Yerle\u015ftirilmesi<\/h3>\n\n\n\n<ul>\n<li><strong>Metin \u0130\u00e7inde<\/strong>: \u00dcst simge numaralar\u0131, at\u0131fta bulunulan materyali i\u00e7eren c\u00fcmlenin veya t\u00fcmcenin sonuna, noktalama i\u015faretlerinden sonra yerle\u015ftirilmelidir (\u00f6rne\u011fin, \"Smith'e g\u00f6re, teori kan\u0131tlarla iyi bir \u015fekilde desteklenmektedir.^1\").<\/li>\n\n\n\n<li><strong>S\u0131ral\u0131 d\u00fczen:<\/strong> \u00dcst simge numaralar\u0131 belge boyunca 1'den ba\u015flay\u0131p sonuna kadar devam edecek \u015fekilde s\u0131rayla numaraland\u0131r\u0131lmal\u0131d\u0131r. Bir kayna\u011fa birden \u00e7ok kez at\u0131fta bulunuluyorsa, her at\u0131f yeni bir numara al\u0131r.<\/li>\n<\/ul>\n\n\n\n<p>Bir Kayna\u011fa Yap\u0131lan \u0130lk Referans\u0131 Bi\u00e7imlendirme:&nbsp;<\/p>\n\n\n\n<ul>\n<li><strong>Yazar\u0131n ad\u0131:<\/strong> Yazar\u0131n tam ad\u0131yla ba\u015flay\u0131n.<\/li>\n\n\n\n<li><strong>Eser Ad\u0131<\/strong>: Kitaplar ve makaleler i\u00e7in ba\u015fl\u0131\u011f\u0131 italik olarak, b\u00f6l\u00fcmler ve web sayfalar\u0131 i\u00e7in t\u0131rnak i\u015fareti i\u00e7inde verin.<\/li>\n\n\n\n<li><strong>Yay\u0131n Detaylar\u0131:<\/strong> Kitaplar i\u00e7in yay\u0131n yeri, yay\u0131nc\u0131 ve yay\u0131n y\u0131l\u0131n\u0131 belirtin. Makaleler i\u00e7in dergi ad\u0131n\u0131, cildini, say\u0131s\u0131n\u0131 ve y\u0131l\u0131n\u0131 belirtin.<\/li>\n\n\n\n<li><strong>Sayfa numaralar\u0131:<\/strong> Ba\u015fvurulan belirli sayfa numaralar\u0131n\u0131 belirtiniz.<\/li>\n<\/ul>\n\n\n\n<p>\u00d6rne\u011fin:<\/p>\n\n\n\n<p>John Smith, The Study of Literature (New York: Academic Press, 2020), s. 45.<\/p>\n\n\n\n<h3>Sonraki Referanslar\u0131n K\u0131salt\u0131lmas\u0131<\/h3>\n\n\n\n<ul>\n<li><strong>K\u0131salt\u0131lm\u0131\u015f hali:<\/strong> Ayn\u0131 kayna\u011fa tekrar tekrar at\u0131fta bulunurken k\u0131salt\u0131lm\u0131\u015f bir form kullan\u0131n. Bu genellikle yazar\u0131n soyad\u0131n\u0131, k\u0131salt\u0131lm\u0131\u015f bir ba\u015fl\u0131\u011f\u0131 ve sayfa numaras\u0131n\u0131 i\u00e7erir.<\/li>\n\n\n\n<li><strong>Ibid.:<\/strong> Sonraki at\u0131f ilk at\u0131fla ayn\u0131 sayfaya at\u0131fta bulunuyorsa, ayr\u0131nt\u0131lar\u0131 tekrarlamadan \"A.g.e.\" kullanabilirsiniz.<\/li>\n<\/ul>\n\n\n\n<p>\u00d6rnekler i\u00e7in:<\/p>\n\n\n\n<p>2. Smith, Study of Literature, s. 50.<\/p>\n\n\n\n<p>3. A.g.e., s. 51.<\/p>\n\n\n\n<h3>Dipnot Giri\u015flerine \u00d6rnekler<\/h3>\n\n\n\n<p><strong>Kitaplar<\/strong><\/p>\n\n\n\n<p>1. John Smith, The Study of Literature (New York: Academic Press, 2020), s. 45.<\/p>\n\n\n\n<p>2. Jane Doe, Introduction to Humanities (Londra: Scholar Press, 2018), s. 67.<\/p>\n\n\n\n<p><strong>Dergi Makaleleri<\/strong><\/p>\n\n\n\n<p>3. Michael Brown, 'Analyzing Modern Poetry', Journal of Literary Studies, 15 (2019), 123-45 (s. 120).<\/p>\n\n\n\n<p><strong>Web Siteleri<\/strong><\/p>\n\n\n\n<p>4. Laura Green, 'The Evolution of Digital Humanities', Humanities Online, 22 Mart 2022 http:\/\/www.humanitiesonline.org\/articles\/evolution [eri\u015fim tarihi 25 Haziran 2024].<\/p>\n\n\n\n<h3>Tutarl\u0131 ve Do\u011fru Dipnot Kullan\u0131m\u0131 i\u00e7in \u0130pu\u00e7lar\u0131<\/h3>\n\n\n\n<ol>\n<li>T\u00fcm dipnotlar tutarl\u0131 bir \u015fekilde bi\u00e7imlendirilmelidir. Belgenizin stilini ve yap\u0131s\u0131n\u0131 tutarl\u0131 tutun.<\/li>\n\n\n\n<li>Yazar ad\u0131, ba\u015fl\u0131k, yay\u0131n numaras\u0131 ve sayfa numaras\u0131 gibi t\u00fcm ayr\u0131nt\u0131lar\u0131n do\u011fru oldu\u011fundan emin olun.<\/li>\n\n\n\n<li>\u00c7apraz referanslama sistemini s\u00fcrd\u00fcrerek dipnotlar\u0131n tekrarlanmas\u0131n\u0131 \u00f6nleyin.<\/li>\n\n\n\n<li>Dipnotlar\u0131n\u0131z\u0131n do\u011fru oldu\u011fundan emin olmak i\u00e7in belgenizi ba\u015ftan sona okuyun.<\/li>\n<\/ol>\n\n\n\n<p>MHRA at\u0131f stili y\u00f6nergeleri, dipnotlar\u0131n\u0131z\u0131n ve son notlar\u0131n\u0131z\u0131n a\u00e7\u0131k, do\u011fru ve d\u00fczg\u00fcn bi\u00e7imlendirilmi\u015f olmas\u0131n\u0131 sa\u011flamak i\u00e7in kullan\u0131labilir. Bunu yaparak, yaln\u0131zca \u00e7al\u0131\u015fman\u0131z\u0131n g\u00fcvenilirli\u011fini art\u0131rmakla kalmaz, ayn\u0131 zamanda kaynaklar\u0131n\u0131z\u0131 okuyucular\u0131n\u0131z i\u00e7in daha eri\u015filebilir hale getirirsiniz.<\/p>\n\n\n\n<h2>Kaynak\u00e7a Olu\u015fturma<\/h2>\n\n\n\n<p>Tutarl\u0131l\u0131\u011f\u0131 ve do\u011frulu\u011fu sa\u011flamak i\u00e7in MHRA At\u0131f Stilinde bir kaynak\u00e7a olu\u015ftururken belirli y\u00f6nergeleri takip etmek \u00f6nemlidir. \u0130\u015fte ak\u0131lda tutulmas\u0131 gereken birka\u00e7 \u00f6nemli nokta.<\/p>\n\n\n\n<p><strong>Kaynak\u00e7an\u0131n Yap\u0131s\u0131 ve D\u00fczeni<\/strong><\/p>\n\n\n\n<p>Kaynak\u00e7a a\u015fa\u011f\u0131daki hususlar g\u00f6z \u00f6n\u00fcnde bulundurularak yap\u0131land\u0131r\u0131lmal\u0131d\u0131r:<\/p>\n\n\n\n<ul>\n<li><strong>Ba\u015fl\u0131k:<\/strong> \"Kaynak\u00e7a\" kelimesini sayfan\u0131n \u00fcst k\u0131sm\u0131na ortalayarak yerle\u015ftirin.<\/li>\n\n\n\n<li><strong>Aral\u0131klar:<\/strong> Kaynak\u00e7a \u00e7ift aral\u0131kl\u0131 olmal\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>Girinti:<\/strong> Her giri\u015f i\u00e7in, ilk sat\u0131r\u0131n sol kenar bo\u015flu\u011fuyla ayn\u0131 hizada oldu\u011fu ve sonraki sat\u0131rlar\u0131n girintili oldu\u011fu bir as\u0131l\u0131 girinti kullan\u0131n.<\/li>\n\n\n\n<li><strong>Sipari\u015f verin:<\/strong> Giri\u015fleri yazar\u0131n soyad\u0131na g\u00f6re alfabetik olarak s\u0131ralay\u0131n. Yazar\u0131n olmad\u0131\u011f\u0131 durumlarda ba\u015fl\u0131\u011fa g\u00f6re alfabetik s\u0131ralama yap\u0131n. Ayn\u0131 yazar\u0131n ayn\u0131 y\u0131la ait birden fazla eseri varsa, bunlar\u0131 k\u00fc\u00e7\u00fck harf ekleyerek ay\u0131r\u0131n (\u00f6rne\u011fin, 2023a, 2023b).<\/li>\n<\/ul>\n\n\n\n<h2>Yayg\u0131n Olarak At\u0131f Yap\u0131lan Kaynaklar ve MHRA Formatlar\u0131<\/h2>\n\n\n\n<h3>Kitaplar<\/h3>\n\n\n\n<h4>Tek Yazar<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot: <\/strong>Yazar\u0131n Ad\u0131 Soyad\u0131, Kitab\u0131n Ad\u0131 (Yay\u0131n Yeri: Yay\u0131nevi, Y\u0131l), sayfa numaras\u0131.<\/li>\n\n\n\n<li><strong>\u00d6rnek: <\/strong>John Smith, Modern Avrupa Tarihi (Londra: Penguin, 2010), s. 24.<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> Yazar\u0131n Soyad\u0131, Ad\u0131. Kitab\u0131n Ad\u0131. Yay\u0131n Yeri: Yay\u0131nc\u0131, Y\u0131l.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Smith, John. Modern Avrupa Tarihi. Londra: Penguin, 2010.<\/li>\n<\/ul>\n\n\n\n<h4>\u00c7oklu Yazarlar<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot:<\/strong> \u0130lk Yazar\u0131n Ad\u0131 Soyad\u0131 ve \u0130kinci Yazar\u0131n Ad\u0131 Soyad\u0131, Kitab\u0131n Ad\u0131 (Yay\u0131n Yeri: Yay\u0131nevi, Y\u0131l), sayfa numaras\u0131.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> John Smith ve Jane Doe, Exploring the World (New York: HarperCollins, 2015), s. 46.<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> \u0130lk Yazar\u0131n Soyad\u0131, Ad\u0131 ve \u0130kinci Yazar\u0131n Ad\u0131 Soyad\u0131. Kitab\u0131n Ad\u0131. Yay\u0131n Yeri: Yay\u0131nc\u0131, Y\u0131l.<\/li>\n\n\n\n<li><strong>\u00d6rnek<\/strong>: Smith, John, ve Jane Doe. D\u00fcnyay\u0131 Ke\u015ffetmek. New York: HarperCollins, 2015.<\/li>\n<\/ul>\n\n\n\n<h4>D\u00fczenlenmi\u015f Ciltler<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot:<\/strong> Edit\u00f6r\u00fcn Ad\u0131 Soyad\u0131 (ed.), Kitab\u0131n Ad\u0131 (Yay\u0131n Yeri: Yay\u0131nc\u0131, Y\u0131l), sayfa numaras\u0131.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Michael Brown (ed.), Anthology of Medieval Literature (Cambridge: Cambridge University Press, 2008), s. 68.<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> Edit\u00f6r\u00fcn Soyad\u0131, Ad\u0131, ed. Kitab\u0131n Ad\u0131. Yay\u0131n Yeri: Yay\u0131nc\u0131, Y\u0131l.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Brown, Michael, ed. Orta\u00e7a\u011f Edebiyat\u0131 Antolojisi. Cambridge: Cambridge University Press, 2008.<\/li>\n<\/ul>\n\n\n\n<h3>Dergi Makaleleri<\/h3>\n\n\n\n<h4>Bas\u0131l\u0131 Dergi Makalesi<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot: <\/strong>Yazar\u0131n Ad\u0131 Soyad\u0131, 'Makalenin Ba\u015fl\u0131\u011f\u0131', Derginin Ba\u015fl\u0131\u011f\u0131, cilt numaras\u0131 (Y\u0131l), sayfa numaras\u0131.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Lisa Green, 'Revisiting Gothic Architecture', Journal of Art History, 14 (2011), s. 123.<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> Yazar\u0131n Soyad\u0131, Ad\u0131. 'Makalenin Ba\u015fl\u0131\u011f\u0131'. Dergi Ba\u015fl\u0131\u011f\u0131, cilt numaras\u0131 (Y\u0131l), sayfa aral\u0131\u011f\u0131.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Green, Lisa. 'Gotik Mimariyi Yeniden Ziyaret Etmek'. Journal of Art History, 14 (2011), 115-130.<\/li>\n<\/ul>\n\n\n\n<h4>\u00c7evrimi\u00e7i Dergi Makalesi<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot:<\/strong> Yazar\u0131n Ad\u0131 Soyad\u0131, 'Makalenin Ba\u015fl\u0131\u011f\u0131', Derginin Ba\u015fl\u0131\u011f\u0131, cilt numaras\u0131 (Y\u0131l), sayfa numaras\u0131  [eri\u015filen G\u00fcn Ay Y\u0131l].<\/li>\n\n\n\n<li><strong>\u00d6rnek: <\/strong>Lisa Green, 'Revisiting Gothic Architecture', Journal of Art History, 14 (2011), s. 123 http:\/\/www.example.com [eri\u015fim tarihi 20 Haziran 2024].<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> Yazar\u0131n Soyad\u0131, Ad\u0131. 'Makalenin Ba\u015fl\u0131\u011f\u0131'. Dergi Ba\u015fl\u0131\u011f\u0131, cilt numaras\u0131 (Y\u0131l), sayfa aral\u0131\u011f\u0131  [eri\u015filen G\u00fcn Ay Y\u0131l].<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Green, Lisa. 'Gotik Mimariyi Yeniden Ziyaret Etmek'. Journal of Art History, 14 (2011), 115-130 http:\/\/www.example.com [eri\u015fim tarihi 20 Haziran 2024].<\/li>\n<\/ul>\n\n\n\n<h3>Web Siteleri ve \u00c7evrimi\u00e7i Kaynaklar<\/h3>\n\n\n\n<ul>\n<li><strong>Dipnot:<\/strong> Yazar\u0131n Ad\u0131 Soyad\u0131, 'Web Sayfas\u0131n\u0131n Ba\u015fl\u0131\u011f\u0131', Web Sitesinin Ba\u015fl\u0131\u011f\u0131, Y\u0131l  [eri\u015filen G\u00fcn Ay Y\u0131l].<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Sarah Johnson, 'The Renaissance Art Movement', Art History Online, 2019 http:\/\/www.arthistoryonline.com [eri\u015fim tarihi 20 Haziran 2024].<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> Yazar\u0131n Soyad\u0131, Ad\u0131. 'Web Sayfas\u0131n\u0131n Ba\u015fl\u0131\u011f\u0131'. Web Sitesinin Ba\u015fl\u0131\u011f\u0131. Y\u0131l  [eri\u015filen G\u00fcn Ay Y\u0131l].<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Johnson, Sarah. 'R\u00f6nesans Sanat Hareketi'. Art History Online. 2019 http:\/\/www.arthistoryonline.com [eri\u015fim tarihi 20 Haziran 2024].<\/li>\n<\/ul>\n\n\n\n<h3>G\u00f6rsel ve Multimedya Kaynaklar\u0131<\/h3>\n\n\n\n<h4>Film<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot:<\/strong> Filmin Ad\u0131, Y\u00f6netmenin Ad\u0131 Soyad\u0131 (Yap\u0131m \u015eirketi, Y\u0131l).<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Ba\u015flang\u0131\u00e7 (Inception), y\u00f6netmen: Christopher Nolan (Warner Bros., 2010).<\/li>\n\n\n\n<li><strong>Bibliyografya:<\/strong> Filmin Ad\u0131. Y\u00f6netmen Y\u00f6netmenin Ad\u0131 Soyad\u0131. Yap\u0131m \u015eirketi, Y\u0131l.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> Ba\u015flang\u0131\u00e7. Y\u00f6netmen: Christopher Nolan. Warner Bros., 2010.<\/li>\n<\/ul>\n\n\n\n<h4>Sanat \u00c7al\u0131\u015fmas\u0131<\/h4>\n\n\n\n<ul>\n<li><strong>Dipnot:<\/strong> Sanat\u00e7\u0131n\u0131n Ad\u0131 Soyad\u0131, Eserin Ad\u0131, Y\u0131l\u0131, Ortam\u0131, Koleksiyonun veya M\u00fczenin Ad\u0131, Yeri.<\/li>\n\n\n\n<li><strong>\u00d6rnek: <\/strong>Vincent van Gogh, Y\u0131ld\u0131zl\u0131 Gece, 1889, tuval \u00fczerine ya\u011fl\u0131boya, Modern Sanat M\u00fczesi, New York.<\/li>\n\n\n\n<li><strong>Bibliyografya: <\/strong>Sanat\u00e7\u0131n\u0131n Soyad\u0131, Ad\u0131. Sanat Eserinin Ba\u015fl\u0131\u011f\u0131. Y\u0131l. Ortam. Koleksiyonun veya M\u00fczenin Ad\u0131, Yeri.<\/li>\n\n\n\n<li><strong>\u00d6rnek:<\/strong> van Gogh, Vincent. Y\u0131ld\u0131zl\u0131 Gece. 1889. Tuval \u00fczerine ya\u011fl\u0131boya. Modern Sanat M\u00fczesi, New York.<\/li>\n<\/ul>\n\n\n\n<h2>Zamandan Tasarruf Etmek i\u00e7in Mind The Graph Ara\u00e7lar\u0131n\u0131 Kullanma<\/h2>\n\n\n\n<p>Ara\u015ft\u0131rman\u0131z\u0131n derinliklerine dal\u0131n ve hedef kitlenizin dikkatini \u00e7eken ilgi \u00e7ekici g\u00f6rselleri zahmetsizce olu\u015fturun, ayn\u0131 zamanda g\u00f6rsel olarak \u00e7ekici hale getirmek i\u00e7in zamandan tasarruf edin. Karma\u015f\u0131k veri setlerinden karma\u015f\u0131k kavramlara kadar, <a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" target=\"_blank\" rel=\"noreferrer noopener\">Mind the Graph<\/a> okuyucularda yank\u0131 uyand\u0131ran ilgi \u00e7ekici infografikler olu\u015fturman\u0131z\u0131 sa\u011flar. Bizi ziyaret edin <a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" target=\"_blank\" rel=\"noreferrer noopener\">web sitesi<\/a> daha fazla bilgi i\u00e7in.<\/p>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\"><img decoding=\"async\" loading=\"lazy\" width=\"594\" height=\"463\" src=\"https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters.png\" alt=\"bilimsel-olarak-do\u011fru-posterler\" class=\"wp-image-25484\" srcset=\"https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters.png 594w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-300x234.png 300w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-15x12.png 15w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-100x78.png 100w\" sizes=\"(max-width: 594px) 100vw, 594px\" \/><\/a><\/figure><\/div>\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"is-layout-flex wp-block-buttons\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" style=\"border-radius:50px;background-color:#dc1866\" target=\"_blank\" rel=\"noreferrer noopener\">Mind the Graph ile Yaratmaya Ba\u015flay\u0131n<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Be\u015feri bilimler ve edebiyatta do\u011fru akademik referanslama i\u00e7in MHRA at\u0131f stilinin temellerini ke\u015ffedin. <\/p>","protected":false},"author":27,"featured_media":55055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[989,978],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Citation Guide: Essential of MHRA Citation Style<\/title>\n<meta name=\"description\" content=\"Discover the essentials of MHRA citation style for accurate academic referencing in humanities and literature.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mindthegraph.com\/blog\/tr\/mhra-citation-style\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Citation Guide: Essential of 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She is currently pursuing a master's degree in Bioentrepreneurship from Karolinska Institute. She is interested in health and diseases, global health, socioeconomic development, and women's health. 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