{"id":4899,"date":"2018-08-19T15:51:57","date_gmt":"2018-08-19T18:51:57","guid":{"rendered":"https:\/\/blog.mindthegraph.com\/?p=4899"},"modified":"2022-10-18T08:24:34","modified_gmt":"2022-10-18T11:24:34","slug":"science-art-charleyharper","status":"publish","type":"post","link":"https:\/\/mindthegraph.com\/blog\/sl\/znanost-umetnost-charleyharper\/","title":{"rendered":"Znanstvena umetnost je tako preprosta, kot je lahko"},"content":{"rendered":"

Ko gre za znanstveno umetnost, ve\u010dina od nas takoj pomisli na izjemno realisti\u010dne in zapletene ilustracije. Kaj pa, \u010de ni treba, da je tako?<\/p>\n

Tako je mislil Charley Harper.<\/p>\n

V \u010dasu, ko je bila znanstvena umetnost usmerjena v ilustracije, ki so zvesto prikazovale najmanj\u0161e podrobnosti resni\u010dnega sveta, nam je Charley ponudil nov pogled.<\/p>\n

 <\/p>\n

\"Znanstvena<\/a>
\"Ko gledam predmet v divjini ali naravi, ne posku\u0161am vstaviti vsega, ampak posku\u0161am vse izpustiti. Nikoli ne \u0161tejem perja na perutih, ampak samo peruti.\"<\/em> – Charley Harper<\/a><\/figcaption><\/figure>\n

Sam sebe imenuje umetnik-naravoslovec in je svojo poklicno pot posvetil ilustriranju divjih \u017eivali. Vendar tega ni po\u010del tako, kot so bili ljudje navajeni. Oglejte si Charleyjev slog:<\/p>\n

 <\/p>\n\n\n\n
\"Znanstvena<\/a><\/td>\n<\/td>\n\"Znanstvena<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"Znanstvena<\/a><\/p>\n

V Charleyjevem delu je malo humorja in veliko preprostej\u0161a \u010drtica, ki upo\u0161teva le pomembne informacije. Njegov smisel za \u017eivljenje in oblike z majhnim zasukom zagotavlja velik odmev. Tako je postal referenca v svetu znanstvene umetnosti.<\/p>\n

Kot pravi Charley sam, je bil edini divji umetnik, ki se nikoli ni primerjal z Audubon<\/a>\u00a0- eden najve\u010djih talentov na podro\u010dju znanstvene umetnosti.<\/p>\n

Sporo\u010dilo je jasno: stvari ni treba zapletati. Vsak pomi\u0161ljaj ima svoj namen in mora biti nameren.<\/p>\n

Njegove ilustracije odpravljajo zamisel, da so v znanstvenem svetu uspe\u0161ne le visoko razvite figure. Namesto tega dokazujejo, da preprosta in funkcionalna delujeta enako dobro<\/a>.<\/p>\n

\"Znanstvena<\/a><\/p>\n

Vse te ilustracije nas spodbudijo k nadaljnjemu razmi\u0161ljanju:<\/p>\n

Ali si vzamete \u010das in se vpra\u0161ate, v kaj vlagate svoj \u010das? Kolikokrat pomislite na pomembnost pisanja \u010dlanka? Ali pa sestavljate graf? Kaj pa va\u0161e \u0161tevilke?<\/p>\n

Charleyev vpogled nas u\u010di smiselnega razmi\u0161ljanja in delovanja. \u010ce sporo\u010dilo dobite brez njega, zakaj bi ga imeli?<\/a>\"znanost<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Ko gre za znanstveno umetnost, ve\u010dina od nas takoj pomisli na izjemno realisti\u010dne in zapletene ilustracije. Kaj pa, \u010de ni treba, da je tako? Tako je razmi\u0161ljal Charley Harper. V \u010dasu, ko je bila znanstvena umetnost namenjena ilustracijam, ki so natan\u010dno prikazovale najmanj\u0161e podrobnosti resni\u010dnega sveta, nam je Charley ponudil nov pristop k [...]<\/p>","protected":false},"author":4,"featured_media":4900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":[],"categories":[40],"tags":[775],"yoast_head":"\nScience art as simple as it can be - Mind the Graph Blog<\/title>\n<meta name=\"description\" content=\"When it comes to science art, most of us immediatly think about super realistic and complex illustrations. \u00a0But what if it doesn't have to be like that?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mindthegraph.com\/blog\/sl\/znanost-umetnost-charleyharper\/\" \/>\n<meta property=\"og:locale\" content=\"sl_SI\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Science art as simple as it can be - 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He has a Ph.D. and solid scientific background in Psychopharmacology and experience as a Guest Researcher at the Max Planck Institute of Psychiatry (Germany) and Researcher in D'Or Institute for Research and Education (IDOR, Brazil). Fabricio holds over 2500 citations in Google Scholar. He has 10 years of experience in small innovative businesses, with relevant experience in product design and innovation management. 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