{"id":55052,"date":"2024-07-17T08:30:00","date_gmt":"2024-07-17T11:30:00","guid":{"rendered":"https:\/\/mindthegraph.com\/blog\/science-behind-tides-copy\/"},"modified":"2024-07-16T13:35:03","modified_gmt":"2024-07-16T16:35:03","slug":"mhra-citation-style","status":"publish","type":"post","link":"https:\/\/mindthegraph.com\/blog\/sk\/mhra-citation-style\/","title":{"rendered":"Sprievodca cit\u00e1ciami: Podstatn\u00e9 z cita\u010dn\u00e9ho \u0161t\u00fdlu MHRA"},"content":{"rendered":"<p>Vedeck\u00e9 p\u00edsanie si vy\u017eaduje spr\u00e1vne cit\u00e1cie, ktor\u00e9 nie s\u00fa len formalitou, ale zachov\u00e1vaj\u00fa integritu a d\u00f4veryhodnos\u0165 pr\u00e1ce. Presn\u00e9 citovanie zdrojov umo\u017e\u0148uje autorom n\u00e1le\u017eite oceni\u0165 p\u00f4vodn\u00fdch autorov, ktor\u00fdch my\u0161lienky a v\u00fdskum ovplyvnili ich vlastn\u00fa pr\u00e1cu. Okrem toho umo\u017e\u0148uje \u010ditate\u013eom overi\u0165 si inform\u00e1cie, vystopova\u0165 p\u00f4vod my\u0161lienok a \u010falej sk\u00fama\u0165 dan\u00fa t\u00e9mu. Uzn\u00e1vanie a re\u0161pektovanie akademick\u00e9ho pr\u00ednosu je v\u010faka efekt\u00edvnemu citovaniu jednoduch\u0161ie. Pozrime sa v tomto blogu na cita\u010dn\u00fd \u0161t\u00fdl MHRA, aby sme sa o \u0148om dozvedeli viac a uk\u00e1zali si, ako by sa mal spr\u00e1vne pou\u017e\u00edva\u0165.<\/p>\n\n\n\n<h2>\u010co je \u0161t\u00fdl citovania MHRA?<\/h2>\n\n\n\n<p>MHRA (Modern Humanities Research Association) Citation Style je cita\u010dn\u00fd syst\u00e9m be\u017ene pou\u017e\u00edvan\u00fd v humanitn\u00fdch ved\u00e1ch, <strong>najm\u00e4 v oblasti literat\u00fary, hist\u00f3rie a umenia.<\/strong>. Tento \u0161t\u00fdl vyvinula Asoci\u00e1cia pre modern\u00fd humanitn\u00fd v\u00fdskum, aby \u010ditate\u013eom u\u013eah\u010dila sledovanie cit\u00e1ci\u00ed a vyh\u013ead\u00e1vanie zdrojov. V \u0161t\u00fdle MHRA sa na cit\u00e1cie v texte pou\u017e\u00edvaj\u00fa pozn\u00e1mky pod \u010diarou a pozn\u00e1mky na konci textu a nasleduje rozsiahla bibliografia. Tento pr\u00edstup pri zachovan\u00ed pr\u00edsnych akademick\u00fdch noriem u\u013eah\u010duje plynul\u00e9 \u010d\u00edtanie a z\u00e1rove\u0148 poskytuje podrobn\u00e9 cit\u00e1cie bez zahlcovania hlavn\u00e9ho textu.<\/p>\n\n\n\n<h3>Discipl\u00edny a typy pr\u00e1ce, ktor\u00e9 be\u017ene pou\u017e\u00edvaj\u00fa MHRA<\/h3>\n\n\n\n<p>Pod\u013ea MHRA pou\u017e\u00edvaj\u00fa jeho cita\u010dn\u00fd \u0161t\u00fdl predov\u0161etk\u00fdm tieto odbory:<\/p>\n\n\n\n<ul>\n<li><strong>Literat\u00fara:<\/strong> Na anal\u00fdzu textov, rom\u00e1nov, b\u00e1sn\u00ed a divadeln\u00fdch hier.<\/li>\n\n\n\n<li><strong>Lingvistika:<\/strong> Pri diskusii o \u0161trukt\u00fare, pou\u017e\u00edvan\u00ed a hist\u00f3rii jazyka.<\/li>\n\n\n\n<li><strong>Hist\u00f3ria: <\/strong>Najm\u00e4 kult\u00farne a intelektu\u00e1lne dejiny.<\/li>\n\n\n\n<li><strong>Filozofia<\/strong>: V diskusi\u00e1ch o filozofick\u00fdch textoch a my\u0161lienkach.<\/li>\n\n\n\n<li><strong>Divadeln\u00e9 a sc\u00e9nick\u00e9 umenie:<\/strong> Na odkazovanie na scen\u00e1re, predstavenia a kritick\u00e9 pr\u00e1ce.<\/li>\n\n\n\n<li><strong>Dejiny umenia:<\/strong> Pri citovan\u00ed zdrojov t\u00fdkaj\u00facich sa v\u00fdtvarn\u00e9ho umenia a kritiky.<\/li>\n<\/ul>\n\n\n\n<p>Na podporu argumentov a v\u00fdkladov v tak\u00fdchto discipl\u00ednach je MHRA vhodnou vo\u013ebou, preto\u017ee si \u010dasto vy\u017eaduje podrobn\u00fa anal\u00fdzu textu a presn\u00e9 odkazovanie.<\/p>\n\n\n\n<h3>Porovnanie s in\u00fdmi \u0161t\u00fdlmi citovania&nbsp;<\/h3>\n\n\n\n<ol>\n<li><strong>Pozn\u00e1mky pod \u010diarou vs. parentetick\u00e9 cit\u00e1cie:<\/strong> MHRA pou\u017e\u00edva pozn\u00e1mky pod \u010diarou a pozn\u00e1mky na konci na poskytnutie podrobn\u00fdch inform\u00e1ci\u00ed na konci str\u00e1nky. Naopak, <a href=\"https:\/\/mindthegraph.com\/blog\/mla-format\/\">MLA<\/a> a <a href=\"https:\/\/mindthegraph.com\/blog\/apa-formatting-2\/\">APA<\/a> pou\u017e\u00edva\u0165 cit\u00e1cie v z\u00e1tvork\u00e1ch v texte.<\/li>\n\n\n\n<li><strong>Bibliografia a \u0161t\u00fdl odkazovania:<\/strong> Hoci v\u0161etky \u0161t\u00fdly vy\u017eaduj\u00fa bibliografiu, form\u00e1tovanie a po\u017eadovan\u00e9 podrobnosti sa l\u00ed\u0161ia. Pokia\u013e ide o prvky, ako je meno autora, p\u00edsanie n\u00e1zvu ve\u013ek\u00fdmi p\u00edsmenami a inform\u00e1cie o vydan\u00ed zdroja, s\u00fa z\u00e1znamy v bibliografii MHRA zvy\u010dajne podrobnej\u0161ie ako z\u00e1znamy v APA a MLA.<\/li>\n\n\n\n<li><strong>Disciplin\u00e1rne zameranie:<\/strong> R\u00f4zne \u0161t\u00fdly s\u00fa vhodn\u00e9 pre r\u00f4zne akademick\u00e9 discipl\u00edny, ale \u0161t\u00fdl MHRA je obzvl\u00e1\u0161\u0165 vhodn\u00fd pre humanitn\u00e9 vedy, preto\u017ee m\u00e1 komplexn\u00fd a podrobn\u00fd pr\u00edstup k cit\u00e1ci\u00e1m.<\/li>\n<\/ol>\n\n\n\n<p>Identifikovan\u00edm t\u00fdchto rozdielov si vedci m\u00f4\u017eu vybra\u0165 najvhodnej\u0161\u00ed \u0161t\u00fdl citovania pre svoju pr\u00e1cu, \u010d\u00edm sa zabezpe\u010d\u00ed jasnos\u0165, konzistentnos\u0165 a dodr\u017eiavanie disciplin\u00e1rnych smern\u00edc.<\/p>\n\n\n\n<h2>V\u0161eobecn\u00e9 z\u00e1sady cita\u010dn\u00e9ho \u0161t\u00fdlu MHRA<\/h2>\n\n\n\n<p>Pozn\u00e1mky pod \u010diarou a koncov\u00e9 pozn\u00e1mky zohr\u00e1vaj\u00fa k\u013e\u00fa\u010dov\u00fa \u00falohu pri poskytovan\u00ed podrobn\u00fdch odkazov na zdroje pou\u017eit\u00e9 v pr\u00e1ci. Pri odkazovan\u00ed na zdroj sa pozn\u00e1mky pod \u010diarou uv\u00e1dzaj\u00fa na konci strany, zatia\u013e \u010do pozn\u00e1mky na konci sa uv\u00e1dzaj\u00fa na konci kapitoly alebo dokumentu.<\/p>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mky pod \u010diarou:<\/strong> Pou\u017e\u00edva sa v kr\u00e1tkych dokumentoch alebo \u010dl\u00e1nkoch, kde je vhodn\u00e9 ma\u0165 cit\u00e1ciu \u013eahko dostupn\u00fa.<\/li>\n\n\n\n<li><strong>Pozn\u00e1mky na z\u00e1ver:<\/strong> Pou\u017e\u00edva sa v dlh\u0161\u00edch pr\u00e1cach, ako s\u00fa knihy a diplomov\u00e9 pr\u00e1ce, kde by ve\u013ek\u00e9 mno\u017estvo pozn\u00e1mok mohlo preplni\u0165 str\u00e1nku.<\/li>\n<\/ul>\n\n\n\n<p>Pozn\u00e1mky pod \u010diarou a pozn\u00e1mky na konci textu zodpovedaj\u00fa horn\u00fdm indexom. Cit\u00e1cie musia pri prvom pou\u017eit\u00ed obsahova\u0165 \u00fapln\u00fd odkaz. Pri \u010fal\u0161\u00edch cit\u00e1ci\u00e1ch toho ist\u00e9ho zdroja sa m\u00f4\u017ee pou\u017ei\u0165 skr\u00e1ten\u00e1 forma, aby sa zachovala \u010ditate\u013enos\u0165 textu.<\/p>\n\n\n\n<h3>V\u00fdznam bibliografie<\/h3>\n\n\n\n<p>V \u0161t\u00fdle MHRA sa v bibliografii uv\u00e1dzaj\u00fa v\u0161etky zdroje citovan\u00e9 vo va\u0161ej pr\u00e1ci. \u010citatelia si m\u00f4\u017eu zdroje sami vyh\u013eada\u0165 pomocou \u00fapln\u00fdch \u00fadajov o publik\u00e1cii. Efekt\u00edvna bibliografia by mala obsahova\u0165:<\/p>\n\n\n\n<ul>\n<li>Zabezpe\u010duje transparentnos\u0165 a akademick\u00fa integritu.<\/li>\n\n\n\n<li>Pom\u00e1ha \u010ditate\u013eom overi\u0165 si inform\u00e1cie a \u010falej sk\u00fama\u0165 t\u00e9mu.<\/li>\n\n\n\n<li>Preukazuje h\u013abku a rozsah v\u00e1\u0161ho v\u00fdskumu.<\/li>\n<\/ul>\n\n\n\n<p>Pre\u010d\u00edtajte si tie\u017e: <a href=\"https:\/\/mindthegraph.com\/blog\/bibliography-in-research-paper\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bibliografia vo v\u00fdskumnom dokumente: Vedie\u0165 o tom v\u0161etko<\/a><\/p>\n\n\n\n<p>Bibliografiu by ste mali zoradi\u0165 abecedne pod\u013ea priezvisk autorov na konci pr\u00e1ce.<\/p>\n\n\n\n<h3>Rozdiely medzi cit\u00e1ciami v texte a pozn\u00e1mkami<\/h3>\n\n\n\n<p>Na rozdiel od \u0161t\u00fdlu APA alebo MLA sa v \u0161t\u00fdle MHRA namiesto cit\u00e1ci\u00ed v texte pou\u017e\u00edvaj\u00fa pozn\u00e1mky. Na ilustr\u00e1ciu rozdielov uv\u00e1dzame porovnanie:<\/p>\n\n\n\n<h4>Cit\u00e1cie v texte (APA\/MLA)<\/h4>\n\n\n\n<p>Cit\u00e1cia v texte je stru\u010dn\u00fd odkaz v texte, ktor\u00fd obsahuje priezvisko autora a rok vydania (<a href=\"https:\/\/mindthegraph.com\/blog\/apa-formatting-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">APA<\/a>) alebo priezvisko autora a \u010d\u00edslo strany (<a href=\"https:\/\/mindthegraph.com\/blog\/mla-format\/\" target=\"_blank\" rel=\"noreferrer noopener\">MLA<\/a>). Napriek ich stru\u010dnosti m\u00f4\u017eu naru\u0161i\u0165 plynulos\u0165 \u010d\u00edtania.<\/p>\n\n\n\n<h4><strong>Pozn\u00e1mky (MHRA)<\/strong>&nbsp;<\/h4>\n\n\n\n<p>MHRA pou\u017e\u00edva na citovanie zdrojov pozn\u00e1mky pod \u010diarou alebo pozn\u00e1mky na konci. Hlavn\u00fd text zost\u00e1va preh\u013eadn\u00fd a \u010ditate\u013en\u00fd, zatia\u013e \u010do \u00fadaje o cit\u00e1ci\u00e1ch s\u00fa uveden\u00e9 v pozn\u00e1mke. Pr\u00edklad cit\u00e1cie v texte by bol nasledovn\u00fd:<\/p>\n\n\n\n<p><em>Niektor\u00ed vedci tvrdia, \u017ee toto obdobie znamenalo za\u010diatok novej \u00e9ry.^1<\/em><\/p>\n\n\n\n<p>V pr\u00edslu\u0161nej pozn\u00e1mke pod \u010diarou n\u00e1jdete v\u0161etky podrobnosti:<\/p>\n\n\n\n<p><em>^1 John Smith, *History of Modern Times* (Paris: Academic Press, 2010), s. 123.<\/em><\/p>\n\n\n\n<p>Humanit\u00e1rny v\u00fdskum zvy\u010dajne zah\u0155\u0148a rozsiahle koment\u00e1re a podrobn\u00fa diskusiu o zdrojoch, preto m\u00e1 zmysel pou\u017e\u00edva\u0165 pozn\u00e1mky namiesto cit\u00e1ci\u00ed v texte. Argumenty aj podporn\u00e9 d\u00f4kazy s\u00fa pri tejto met\u00f3de prezentovan\u00e9 s v\u00e4\u010d\u0161ou eleganciou.<\/p>\n\n\n\n<h2>Form\u00e1tovanie pozn\u00e1mok pod \u010diarou a koncov\u00fdch pozn\u00e1mok<\/h2>\n\n\n\n<p>Pozn\u00e1mky pod \u010diarou a pozn\u00e1mky na konci v \u0161t\u00fdle citovania MHRA sl\u00fa\u017eia ako z\u00e1kladn\u00e9 n\u00e1stroje na odkazovanie a poskytovanie dodato\u010dn\u00fdch koment\u00e1rov v r\u00e1mci va\u0161ej akademickej pr\u00e1ce. Aby ste sa uistili, \u017ee s\u00fa spr\u00e1vne naform\u00e1tovan\u00e9, tu je podrobn\u00fd n\u00e1vod.<\/p>\n\n\n\n<h3>Umiestnenie \u010d\u00edslic s horn\u00fdm indexom<\/h3>\n\n\n\n<ul>\n<li><strong>V texte<\/strong>: \u010c\u00edsla s horn\u00fdm indexom by sa mali umiestni\u0165 na koniec vety alebo ustanovenia, ktor\u00e9 obsahuje odkazovan\u00fd materi\u00e1l, za interpunk\u010dn\u00e9 znamienka (napr. \"Pod\u013ea Smitha je t\u00e1to te\u00f3ria dobre podlo\u017een\u00e1 d\u00f4kazmi.^1\").<\/li>\n\n\n\n<li><strong>Postupn\u00e9 poradie:<\/strong> \u010c\u00edsla horn\u00fdch indexov by mali by\u0165 v celom dokumente \u010d\u00edslovan\u00e9 postupne, po\u010dn\u00fac \u010d\u00edslom 1 a pokra\u010duj\u00fac a\u017e do konca. Ak sa na zdroj odkazuje viackr\u00e1t, ka\u017ed\u00e1 cit\u00e1cia dostane nov\u00e9 \u010d\u00edslo.<\/li>\n<\/ul>\n\n\n\n<p>Form\u00e1tovanie prv\u00e9ho odkazu na zdroj:&nbsp;<\/p>\n\n\n\n<ul>\n<li><strong>Meno autora:<\/strong> Za\u010dnite cel\u00fdm menom autora.<\/li>\n\n\n\n<li><strong>N\u00e1zov diela<\/strong>: V pr\u00edpade kn\u00edh a \u010dl\u00e1nkov uve\u010fte n\u00e1zov kurz\u00edvou a v pr\u00edpade kapitol a webov\u00fdch str\u00e1nok v \u00favodzovk\u00e1ch.<\/li>\n\n\n\n<li><strong>Podrobnosti o publik\u00e1cii:<\/strong> Pri knih\u00e1ch uve\u010fte miesto vydania, vydavate\u013ea a rok vydania. V pr\u00edpade \u010dl\u00e1nkov uve\u010fte n\u00e1zov \u010dasopisu, zv\u00e4zok, \u010d\u00edslo a rok vydania.<\/li>\n\n\n\n<li><strong>\u010c\u00edsla str\u00e1n:<\/strong> Uve\u010fte konkr\u00e9tne \u010d\u00edslo strany (str\u00e1n), na ktor\u00e9 sa odkazuje.<\/li>\n<\/ul>\n\n\n\n<p>Napr\u00edklad:<\/p>\n\n\n\n<p>John Smith, The Study of Literature (New York: Academic Press, 2020), s. 45.<\/p>\n\n\n\n<h3>Skracovanie n\u00e1sledn\u00fdch odkazov<\/h3>\n\n\n\n<ul>\n<li><strong>Skr\u00e1ten\u00e1 forma:<\/strong> Pri opakovanom citovan\u00ed toho ist\u00e9ho zdroja pou\u017eite skr\u00e1ten\u00fa formu. T\u00e1 zvy\u010dajne obsahuje priezvisko autora, skr\u00e1ten\u00fd n\u00e1zov a \u010d\u00edslo strany.<\/li>\n\n\n\n<li><strong>Tamtie\u017e:<\/strong> Ak n\u00e1sledn\u00fd odkaz odkazuje na t\u00fa ist\u00fa stranu ako p\u00f4vodn\u00e1 cit\u00e1cia, m\u00f4\u017eete pou\u017ei\u0165 \"Tamtie\u017e\" bez opakovania podrobnost\u00ed.<\/li>\n<\/ul>\n\n\n\n<p>Pr\u00edklady:<\/p>\n\n\n\n<p>2. Smith, Study of Literature, s. 50.<\/p>\n\n\n\n<p>3. Tam\u017ee, s. 51.<\/p>\n\n\n\n<h3>Pr\u00edklady pozn\u00e1mok pod \u010diarou<\/h3>\n\n\n\n<p><strong>Knihy<\/strong><\/p>\n\n\n\n<p>1. John Smith, The Study of Literature (New York: Academic Press, 2020), s. 45.<\/p>\n\n\n\n<p>2. Jane Doe, Introduction to Humanities (London: Scholar Press, 2018), s. 67.<\/p>\n\n\n\n<p><strong>\u010cl\u00e1nky v \u010dasopise<\/strong><\/p>\n\n\n\n<p>3. Michael Brown, \"Analyzing Modern Poetry\", Journal of Literary Studies, 15 (2019), 123-45 (s. 120).<\/p>\n\n\n\n<p><strong>Webov\u00e9 str\u00e1nky<\/strong><\/p>\n\n\n\n<p>4. Laura Green, \"The Evolution of Digital Humanities\", Humanities Online, 22. marca 2022 http:\/\/www.humanitiesonline.org\/articles\/evolution [pr\u00edstup 25. j\u00fana 2024].<\/p>\n\n\n\n<h3>Tipy na d\u00f4sledn\u00e9 a presn\u00e9 pou\u017e\u00edvanie pozn\u00e1mok pod \u010diarou<\/h3>\n\n\n\n<ol>\n<li>V\u0161etky pozn\u00e1mky pod \u010diarou by mali by\u0165 d\u00f4sledne form\u00e1tovan\u00e9. Zachovajte jednotn\u00fd \u0161t\u00fdl a \u0161trukt\u00faru dokumentu.<\/li>\n\n\n\n<li>Uistite sa, \u017ee v\u0161etky \u00fadaje, ako je meno autora, n\u00e1zov, \u010d\u00edslo publik\u00e1cie a \u010d\u00edslo strany, s\u00fa spr\u00e1vne.<\/li>\n\n\n\n<li>Predch\u00e1dzajte duplicite pozn\u00e1mok pod \u010diarou udr\u017eiavan\u00edm syst\u00e9mu kr\u00ed\u017eov\u00fdch odkazov.<\/li>\n\n\n\n<li>Aby ste sa uistili, \u017ee s\u00fa va\u0161e pozn\u00e1mky pod \u010diarou presn\u00e9, d\u00f4kladne si dokument skontrolujte.<\/li>\n<\/ol>\n\n\n\n<p>Na zabezpe\u010denie toho, aby boli va\u0161e pozn\u00e1mky pod \u010diarou a pozn\u00e1mky na konci textu jasn\u00e9, presn\u00e9 a spr\u00e1vne naform\u00e1tovan\u00e9, m\u00f4\u017eete pou\u017ei\u0165 usmernenia MHRA pre \u0161t\u00fdl citovania. T\u00fdmto sp\u00f4sobom nielen zv\u00fd\u0161ite d\u00f4veryhodnos\u0165 svojej pr\u00e1ce, ale aj spr\u00edstupn\u00edte svoje zdroje \u010ditate\u013eom.<\/p>\n\n\n\n<h2>Vytvorenie bibliografie<\/h2>\n\n\n\n<p>Pri tvorbe bibliografie v cita\u010dnom \u0161t\u00fdle MHRA je nevyhnutn\u00e9 dodr\u017eiava\u0165 osobitn\u00e9 usmernenia, aby sa zabezpe\u010dila konzistentnos\u0165 a presnos\u0165. Tu je nieko\u013eko k\u013e\u00fa\u010dov\u00fdch vec\u00ed, ktor\u00e9 treba ma\u0165 na pam\u00e4ti.<\/p>\n\n\n\n<p><strong>\u0160trukt\u00fara a usporiadanie bibliografie<\/strong><\/p>\n\n\n\n<p>Bibliografia by mala by\u0165 \u0161trukt\u00farovan\u00e1 s oh\u013eadom na tieto aspekty:<\/p>\n\n\n\n<ul>\n<li><strong>N\u00e1zov:<\/strong> Umiestnite slovo \"Bibliografia\" do stredu v hornej \u010dasti strany.<\/li>\n\n\n\n<li><strong>Rozstupy:<\/strong> Bibliografia by mala by\u0165 dvojstranov\u00e1.<\/li>\n\n\n\n<li><strong>Odsadenie:<\/strong> Pre ka\u017ed\u00fd z\u00e1znam pou\u017eite z\u00e1vesn\u00fa zar\u00e1\u017eku, pri\u010dom prv\u00fd riadok je zarovnan\u00fd s \u013eav\u00fdm okrajom a \u010fal\u0161ie riadky s\u00fa odsaden\u00e9.<\/li>\n\n\n\n<li><strong>Objedn\u00e1vka:<\/strong> Z\u00e1znamy usporiadajte v abecednom porad\u00ed pod\u013ea priezviska autora. Ak autor nie je uveden\u00fd, zora\u010fte ho pod\u013ea n\u00e1zvu. V pr\u00edpade viacer\u00fdch diel toho ist\u00e9ho autora v tom istom roku ich odl\u00ed\u0161te pridan\u00edm mal\u00e9ho p\u00edsmena (napr. 2023a, 2023b).<\/li>\n<\/ul>\n\n\n\n<h2>Be\u017ene citovan\u00e9 zdroje a ich form\u00e1ty MHRA<\/h2>\n\n\n\n<h3>Knihy<\/h3>\n\n\n\n<h4>Jeden autor<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou: <\/strong>Meno a priezvisko autora, n\u00e1zov knihy (miesto vydania: vydavate\u013estvo, rok), \u010d\u00edslo strany.<\/li>\n\n\n\n<li><strong>Pr\u00edklad: <\/strong>John Smith, History of Modern Europe (London: Penguin, 2010), s. 24.<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> Priezvisko autora, meno. N\u00e1zov knihy. Miesto vydania: Vydavate\u013e, rok vydania.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Smith, John. Dejiny modernej Eur\u00f3py. Lond\u00fdn: Penguin, 2010.<\/li>\n<\/ul>\n\n\n\n<h4>Viacer\u00ed autori<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou:<\/strong> Prv\u00e9 meno autora Priezvisko a druh\u00e9 meno autora Priezvisko, n\u00e1zov knihy (miesto vydania: vydavate\u013e, rok), \u010d\u00edslo strany.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> John Smith and Jane Doe, Exploring the World (New York: HarperCollins, 2015), s. 46.<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> Prv\u00e9 priezvisko autora, meno a priezvisko druh\u00e9ho autora. N\u00e1zov knihy. Miesto vydania: Vydavate\u013e, rok vydania.<\/li>\n\n\n\n<li><strong>Pr\u00edklad<\/strong>: Smith, John a Jane Doe. Sk\u00famanie sveta. New York: HarperCollins, 2015.<\/li>\n<\/ul>\n\n\n\n<h4>Upraven\u00e9 zv\u00e4zky<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou:<\/strong> Meno a priezvisko editora (vydavate\u013ea), n\u00e1zov knihy (miesto vydania: vydavate\u013e, rok), \u010d\u00edslo strany.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Michael Brown (ed.), Anthology of Medieval Literature (Cambridge: Cambridge University Press, 2008), s. 68.<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> Priezvisko redaktora, meno, vyd. N\u00e1zov knihy. Miesto vydania: Vydavate\u013e, rok vydania.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Brown, Michael, ed. Antol\u00f3gia stredovekej literat\u00fary. Cambridge: Cambridge University Press, 2008.<\/li>\n<\/ul>\n\n\n\n<h3>\u010cl\u00e1nky v \u010dasopise<\/h3>\n\n\n\n<h4>Tla\u010d \u010dl\u00e1nku v \u010dasopise<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou: <\/strong>Meno a priezvisko autora, \"N\u00e1zov \u010dl\u00e1nku\", n\u00e1zov \u010dasopisu, \u010d\u00edslo zv\u00e4zku (rok), \u010d\u00edslo strany.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Lisa Green, \"Revisiting Gothic Architecture\", Journal of Art History, 14 (2011), s. 123.<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> Priezvisko autora, meno. \"N\u00e1zov \u010dl\u00e1nku\". N\u00e1zov \u010dasopisu, \u010d\u00edslo zv\u00e4zku (rok), rozsah str\u00e1n.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Green, Lisa. \"Revisiting Gothic Architecture\". Journal of Art History, 14 (2011), 115-130.<\/li>\n<\/ul>\n\n\n\n<h4>Online \u010dl\u00e1nok v \u010dasopise<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou:<\/strong> Meno autora Priezvisko, \"N\u00e1zov \u010dl\u00e1nku\", n\u00e1zov \u010dasopisu, \u010d\u00edslo zv\u00e4zku (rok), \u010d\u00edslo strany  [pr\u00edstup De\u0148 Mesiac Rok].<\/li>\n\n\n\n<li><strong>Pr\u00edklad: <\/strong>Lisa Green, \"Revisiting Gothic Architecture\", Journal of Art History, 14 (2011), s. 123 http:\/\/www.example.com [pr\u00edstup 20. j\u00fana 2024].<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> Priezvisko autora, meno. \"N\u00e1zov \u010dl\u00e1nku\". N\u00e1zov \u010dasopisu, \u010d\u00edslo zv\u00e4zku (rok), rozsah str\u00e1n  [pr\u00edstup De\u0148 Mesiac Rok].<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Green, Lisa. \"Revisiting Gothic Architecture\". Journal of Art History, 14 (2011), 115-130 http:\/\/www.example.com [pr\u00edstup 20. j\u00fana 2024].<\/li>\n<\/ul>\n\n\n\n<h3>Webov\u00e9 lokality a online zdroje<\/h3>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou:<\/strong> Meno autora Priezvisko, \"N\u00e1zov webovej str\u00e1nky\", N\u00e1zov webovej str\u00e1nky, Rok  [pr\u00edstup De\u0148 Mesiac Rok].<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Sarah Johnson, \"The Renaissance Art Movement\", Art History Online, 2019 http:\/\/www.arthistoryonline.com [pr\u00edstup 20. j\u00fana 2024].<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> Priezvisko autora, meno. \"N\u00e1zov webovej str\u00e1nky\". N\u00e1zov webovej str\u00e1nky. Rok  [pr\u00edstup De\u0148 Mesiac Rok].<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Johnson, Sarah. \"Renesan\u010dn\u00e9 umeleck\u00e9 hnutie\". Art History Online. 2019 http:\/\/www.arthistoryonline.com [pr\u00edstup 20. j\u00fana 2024].<\/li>\n<\/ul>\n\n\n\n<h3>Vizu\u00e1lne a multimedi\u00e1lne zdroje<\/h3>\n\n\n\n<h4>Film<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou:<\/strong> N\u00e1zov filmu, r\u00e9\u017eia: meno a priezvisko re\u017eis\u00e9ra (produk\u010dn\u00e1 spolo\u010dnos\u0165, rok).<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Po\u010diatok, r\u00e9\u017eia: Christopher Nolan (Warner Bros., 2010).<\/li>\n\n\n\n<li><strong>Bibliografia:<\/strong> N\u00e1zov filmu. Re\u017eis\u00e9r Krstn\u00e9 meno Priezvisko re\u017eis\u00e9ra. Produk\u010dn\u00e1 spolo\u010dnos\u0165, rok.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> Po\u010diatok. R\u00e9\u017eia: Christopher Nolan. Warner Bros., 2010.<\/li>\n<\/ul>\n\n\n\n<h4>Umeleck\u00e9 dielo<\/h4>\n\n\n\n<ul>\n<li><strong>Pozn\u00e1mka pod \u010diarou:<\/strong> Meno a priezvisko umelca, n\u00e1zov diela, rok, m\u00e9dium, n\u00e1zov zbierky alebo m\u00fazea, miesto.<\/li>\n\n\n\n<li><strong>Pr\u00edklad: <\/strong>Vincent van Gogh, Hviezdna noc, 1889, olej na pl\u00e1tne, M\u00fazeum modern\u00e9ho umenia, New York.<\/li>\n\n\n\n<li><strong>Bibliografia: <\/strong>Priezvisko umelca, meno. N\u00e1zov diela. Rok. M\u00e9dium. N\u00e1zov zbierky alebo m\u00fazea, miesto.<\/li>\n\n\n\n<li><strong>Pr\u00edklad:<\/strong> van Gogh, Vincent. Hviezdna noc. 1889. Olej na pl\u00e1tne. M\u00fazeum modern\u00e9ho umenia, New York.<\/li>\n<\/ul>\n\n\n\n<h2>Vyu\u017eitie n\u00e1strojov Mind The Graph na \u00fasporu \u010dasu<\/h2>\n\n\n\n<p>Ponorte sa hlboko do svojho v\u00fdskumu a bez n\u00e1mahy vytvorte p\u00fatav\u00e9 vizu\u00e1ly, ktor\u00e9 up\u00fataj\u00fa pozornos\u0165 v\u00e1\u0161ho publika a z\u00e1rove\u0148 v\u00e1m u\u0161etria \u010das na ich vizu\u00e1lnu pr\u00ed\u0165a\u017elivos\u0165. Od zlo\u017eit\u00fdch s\u00faborov \u00fadajov a\u017e po komplexn\u00e9 koncepty, <a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" target=\"_blank\" rel=\"noreferrer noopener\">Mind the Graph<\/a> v\u00e1m umo\u017e\u0148uje vytv\u00e1ra\u0165 presved\u010div\u00e9 infografiky, ktor\u00e9 maj\u00fa ohlas u \u010ditate\u013eov. Nav\u0161t\u00edvte na\u0161u <a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" target=\"_blank\" rel=\"noreferrer noopener\">webov\u00e1 str\u00e1nka<\/a> \u010fal\u0161ie inform\u00e1cie.<\/p>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\"><img decoding=\"async\" loading=\"lazy\" width=\"594\" height=\"463\" src=\"https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters.png\" alt=\"vedecky presn\u00e9 plag\u00e1ty\" class=\"wp-image-25484\" srcset=\"https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters.png 594w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-300x234.png 300w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-15x12.png 15w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-100x78.png 100w\" sizes=\"(max-width: 594px) 100vw, 594px\" \/><\/a><\/figure><\/div>\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"is-layout-flex wp-block-buttons\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" style=\"border-radius:50px;background-color:#dc1866\" target=\"_blank\" rel=\"noreferrer noopener\">Za\u010dnite tvori\u0165 s Mind the Graph<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Objavte z\u00e1klady cita\u010dn\u00e9ho \u0161t\u00fdlu MHRA na presn\u00e9 akademick\u00e9 odkazovanie v humanitn\u00fdch ved\u00e1ch a literat\u00fare. <\/p>","protected":false},"author":27,"featured_media":55055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[989,978],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Citation Guide: Essential of MHRA Citation Style<\/title>\n<meta name=\"description\" content=\"Discover the essentials of MHRA citation style for accurate academic referencing in humanities and literature.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mindthegraph.com\/blog\/sk\/mhra-citation-style\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Citation Guide: 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She is currently pursuing a master's degree in Bioentrepreneurship from Karolinska Institute. She is interested in health and diseases, global health, socioeconomic development, and women's health. As a science enthusiast, she is keen in learning more about the scientific world and wants to play a part in making a difference.","sameAs":["http:\/\/linkedin.com\/in\/aayushizaveri"],"url":"https:\/\/mindthegraph.com\/blog\/sk\/author\/aayuyshi\/"}]}},"_links":{"self":[{"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/posts\/55052"}],"collection":[{"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/comments?post=55052"}],"version-history":[{"count":3,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/posts\/55052\/revisions"}],"predecessor-version":[{"id":55062,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/posts\/55052\/revisions\/55062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/media\/55055"}],"wp:attachment":[{"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/media?parent=55052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/categories?post=55052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/sk\/wp-json\/wp\/v2\/tags?post=55052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}