{"id":55052,"date":"2024-07-17T08:30:00","date_gmt":"2024-07-17T11:30:00","guid":{"rendered":"https:\/\/mindthegraph.com\/blog\/science-behind-tides-copy\/"},"modified":"2024-07-16T13:35:03","modified_gmt":"2024-07-16T16:35:03","slug":"mhra-citation-style","status":"publish","type":"post","link":"https:\/\/mindthegraph.com\/blog\/lv\/mhra-citation-style\/","title":{"rendered":"Cit\u0113\u0161anas ce\u013cvedis: MHRA cit\u0113\u0161anas stila pamatelementi"},"content":{"rendered":"<p>Zin\u0101tniskaj\u0101 rakstniec\u012bb\u0101 ir nepiecie\u0161amas pareizas cit\u0101cijas, kas ir vair\u0101k nek\u0101 tikai formalit\u0101te; t\u0101s nodro\u0161ina darba integrit\u0101ti un uzticam\u012bbu. Prec\u012bza avotu nor\u0101d\u012b\u0161ana \u013cauj rakst\u012bt\u0101jiem pien\u0101c\u012bgi nov\u0113rt\u0113t ori\u0123in\u0101lo autoru, kuru idejas un p\u0113t\u012bjumi ir ietekm\u0113ju\u0161i vi\u0146u pa\u0161u darbu. Turkl\u0101t tas \u013cauj las\u012bt\u0101jiem p\u0101rbaud\u012bt inform\u0101ciju, izsekot ideju izcelsmei un padzi\u013cin\u0101ti izp\u0113t\u012bt tematu. Efekt\u012bva cit\u0113\u0161ana atvieglo akad\u0113misk\u0101 ieguld\u012bjuma atz\u012b\u0161anu un respekt\u0113\u0161anu. \u0160aj\u0101 blog\u0101 apl\u016bkosim MHRA cit\u0113\u0161anas stilu, lai uzzin\u0101tu vair\u0101k par to un par\u0101d\u012btu, k\u0101 tas pareizi j\u0101izmanto.<\/p>\n\n\n\n<h2>Kas ir MHRA cit\u0113\u0161anas stils?<\/h2>\n\n\n\n<p>MHRA (Modern Humanities Research Association) cit\u0113\u0161anas stils ir cit\u0113\u0161anas sist\u0113ma, ko parasti izmanto humanit\u0101raj\u0101s zin\u0101tn\u0113s, <strong>jo \u012bpa\u0161i literat\u016br\u0101, v\u0113stur\u0113 un m\u0101ksl\u0101.<\/strong>. M\u016bsdienu humanit\u0101ro p\u0113t\u012bjumu asoci\u0101cija izstr\u0101d\u0101ja \u0161o stilu, lai las\u012bt\u0101jiem b\u016btu viegl\u0101k sekot l\u012bdzi cit\u0101tiem un atrast avotus. MHRA stil\u0101 teksta cit\u0113\u0161anai tiek izmantotas zemsv\u012btras piez\u012bmes un beigu piez\u012bmes, un tekst\u0101 ir pievienota visaptvero\u0161a bibliogr\u0101fija. Saglab\u0101jot stingrus akad\u0113miskos standartus, \u0161\u012b pieeja atvieglo las\u012b\u0161anu, vienlaikus sniedzot detaliz\u0113tus cit\u0101tus un nep\u0101rbl\u012bv\u0113jot galveno tekstu.<\/p>\n\n\n\n<h3>Discipl\u012bnas un darba veidi, kuros parasti izmanto MHRA<\/h3>\n\n\n\n<p>Saska\u0146\u0101 ar MHRA sniegto inform\u0101ciju cit\u0113\u0161anas stilu galvenok\u0101rt izmanto \u0161\u0101d\u0101s discipl\u012bn\u0101s:<\/p>\n\n\n\n<ul>\n<li><strong>Literat\u016bra:<\/strong> Tekstu, rom\u0101nu, dzejo\u013cu un lugu anal\u012bzei.<\/li>\n\n\n\n<li><strong>Lingvistika:<\/strong> Apsprie\u017eot valodas strukt\u016bru, lietojumu un v\u0113sturi.<\/li>\n\n\n\n<li><strong>V\u0113sture: <\/strong>\u012apa\u0161i kult\u016bras un intelektu\u0101l\u0101 v\u0113sture.<\/li>\n\n\n\n<li><strong>Filozofija<\/strong>: Diskusij\u0101s par filozofiskiem tekstiem un idej\u0101m.<\/li>\n\n\n\n<li><strong>Te\u0101tris un skatuves m\u0101ksla:<\/strong> Atsauces uz scen\u0101rijiem, izr\u0101d\u0113m un kritikas darbiem.<\/li>\n\n\n\n<li><strong>M\u0101kslas v\u0113sture:<\/strong> Cit\u0113jot ar vizu\u0101lo m\u0101kslu un kritiku saist\u012btus avotus.<\/li>\n<\/ul>\n\n\n\n<p>Lai pamatotu argumentus un interpret\u0101cijas \u0161\u0101d\u0101s discipl\u012bn\u0101s, MHRA ir piem\u0113rota izv\u0113le, jo bie\u017ei vien ir nepiecie\u0161ama detaliz\u0113ta teksta anal\u012bze un prec\u012bzas atsauces.<\/p>\n\n\n\n<h3>Sal\u012bdzin\u0101jums ar citiem cit\u0113\u0161anas stiliem&nbsp;<\/h3>\n\n\n\n<ol>\n<li><strong>Nor\u0101des zemsv\u012btras tekst\u0101 vs. parent\u0113tisk\u0101s atsauces:<\/strong> MHRA izmanto zemsv\u012btras piez\u012bmes un beigu piez\u012bmes, lai sniegtu detaliz\u0113tu inform\u0101ciju lapas apak\u0161\u0101. Turpret\u012b, <a href=\"https:\/\/mindthegraph.com\/blog\/mla-format\/\">MLA<\/a> un <a href=\"https:\/\/mindthegraph.com\/blog\/apa-formatting-2\/\">APA<\/a> tekst\u0101 izmantot cit\u0101tus iekav\u0101s.<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija un atsau\u010du stils:<\/strong> Lai gan bibliogr\u0101fija ir nepiecie\u0161ama visos stilos, t\u0101s format\u0113jums un nepiecie\u0161am\u0101 inform\u0101cija at\u0161\u0137iras. Attiec\u012bb\u0101 uz t\u0101diem elementiem k\u0101 autora v\u0101rds, nosaukuma rakst\u012bba ar lielajiem burtiem un inform\u0101cija par avota publik\u0101ciju MHRA bibliogr\u0101fijas ieraksti parasti ir detaliz\u0113t\u0101ki nek\u0101 APA un MLA.<\/li>\n\n\n\n<li><strong>Disciplin\u0101rs fokuss:<\/strong> Da\u017e\u0101di stili ir piem\u0113roti da\u017e\u0101d\u0101m akad\u0113miskaj\u0101m discipl\u012bn\u0101m, bet MHRA stils ir \u012bpa\u0161i piem\u0113rots humanit\u0101raj\u0101m zin\u0101tn\u0113m, jo taj\u0101 ir visaptvero\u0161a un detaliz\u0113ta pieeja cit\u0113\u0161anai.<\/li>\n<\/ol>\n\n\n\n<p>Apzinot \u0161\u012bs at\u0161\u0137ir\u012bbas, zin\u0101tnieki var izv\u0113l\u0113ties savam darbam vispiem\u0113rot\u0101ko cit\u0113\u0161anas stilu, nodro\u0161inot skaidr\u012bbu, konsekvenci un discipl\u012bnas vadl\u012bniju iev\u0113ro\u0161anu.<\/p>\n\n\n\n<h2>MHRA cit\u0113\u0161anas stila visp\u0101r\u012bgie principi<\/h2>\n\n\n\n<p>Noda\u013c\u0101m zemsv\u012btras piez\u012bm\u0113s un beigu piez\u012bm\u0113s ir b\u016btiska noz\u012bme, lai sniegtu detaliz\u0113tas atsauces uz j\u016bsu darb\u0101 izmantotajiem avotiem. Atsaucoties uz avotu, zemsv\u012btras piez\u012bmes tiek par\u0101d\u012btas lapas apak\u0161\u0101, bet nobeiguma piez\u012bmes - noda\u013cas vai dokumenta beig\u0101s.<\/p>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bmes:<\/strong> Izmanto \u012bsos dokumentos vai rakstos, kur ir \u0113rti, ja cit\u0101ts ir viegli pieejams.<\/li>\n\n\n\n<li><strong>Nobeiguma piez\u012bmes:<\/strong> Izmanto gar\u0101kos darbos, piem\u0113ram, gr\u0101mat\u0101s un disert\u0101cij\u0101s, kur liels skaits piez\u012bmju var p\u0101rbl\u012bv\u0113t lapu.<\/li>\n<\/ul>\n\n\n\n<p>Piez\u012bmes zemsv\u012btras un beigu piez\u012bmes tekst\u0101 atbilst virsrakstu numuriem. Cit\u0113jumos pirmo reizi, kad tie tiek izmantoti, j\u0101iek\u013cauj pilna atsauce. N\u0101kamaj\u0101m viena un t\u0101 pa\u0161a avota atsauc\u0113m var izmantot sa\u012bsin\u0101to formu, lai saglab\u0101tu teksta las\u0101m\u012bbu.<\/p>\n\n\n\n<h3>Bibliogr\u0101fijas noz\u012bme<\/h3>\n\n\n\n<p>Saska\u0146\u0101 ar MHRA stilu bibliogr\u0101fij\u0101 ir uzskait\u012bti visi j\u016bsu darb\u0101 min\u0113tie avoti. Las\u012bt\u0101ji var pa\u0161i atrast avotus, izmantojot pilnu publik\u0101cijas inform\u0101ciju. Efekt\u012bv\u0101 bibliogr\u0101fij\u0101 j\u0101iek\u013cauj:<\/p>\n\n\n\n<ul>\n<li>Nodro\u0161ina p\u0101rredzam\u012bbu un akad\u0113misko integrit\u0101ti.<\/li>\n\n\n\n<li>Pal\u012bdz las\u012bt\u0101jiem p\u0101rbaud\u012bt inform\u0101ciju un padzi\u013cin\u0101ti izp\u0113t\u012bt tematu.<\/li>\n\n\n\n<li>Apliecina j\u016bsu p\u0113t\u012bjuma dzi\u013cumu un pla\u0161umu.<\/li>\n<\/ul>\n\n\n\n<p>Lasiet ar\u012b: <a href=\"https:\/\/mindthegraph.com\/blog\/bibliography-in-research-paper\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bibliogr\u0101fija p\u0113tnieciskaj\u0101 darb\u0101: Ziniet par to visu<\/a><\/p>\n\n\n\n<p>Darba beig\u0101s bibliogr\u0101fija j\u0101sak\u0101rto alfab\u0113tisk\u0101 sec\u012bb\u0101 p\u0113c autoru uzv\u0101rdiem.<\/p>\n\n\n\n<h3>At\u0161\u0137ir\u012bbas starp cit\u0101tiem tekst\u0101 un piez\u012bm\u0113m<\/h3>\n\n\n\n<p>At\u0161\u0137ir\u012bb\u0101 no APA vai MLA stila MHRA teksta cit\u0101tu viet\u0101 izmanto piez\u012bmes. Lai ilustr\u0113tu at\u0161\u0137ir\u012bbas, pied\u0101v\u0101jam sal\u012bdzin\u0101jumu:<\/p>\n\n\n\n<h4>Cit\u0101ti tekst\u0101 (APA\/MLA)<\/h4>\n\n\n\n<p>Cit\u0101ts tekst\u0101 ir \u012bsa atsauce tekst\u0101, kur\u0101 nor\u0101d\u012bts autora uzv\u0101rds un publik\u0101cijas gads (<a href=\"https:\/\/mindthegraph.com\/blog\/apa-formatting-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">APA<\/a>) vai autora uzv\u0101rdu un lapas numuru (<a href=\"https:\/\/mindthegraph.com\/blog\/mla-format\/\" target=\"_blank\" rel=\"noreferrer noopener\">MLA<\/a>). Neraugoties uz to kodol\u012bgumu, tie var trauc\u0113t las\u012b\u0161anas gaitu.<\/p>\n\n\n\n<h4><strong>Piez\u012bmes (MHRA)<\/strong>&nbsp;<\/h4>\n\n\n\n<p>MHRA izmanto zemsv\u012btras piez\u012bmes vai beigu piez\u012bmes, lai cit\u0113tu avotus. Galvenais teksts paliek nep\u0101rbl\u012bv\u0113ts un viegli las\u0101ms, bet cit\u0113\u0161anas inform\u0101cija ir ietverta piez\u012bm\u0113. Cit\u0113\u0161anas piem\u0113rs tekst\u0101 b\u016btu \u0161\u0101ds:<\/p>\n\n\n\n<p><em>Da\u017ei p\u0113tnieki apgalvo, ka \u0161is periods iez\u012bm\u0113ja jauna laikmeta s\u0101kumu.^1<\/em><\/p>\n\n\n\n<p>Attiec\u012bgaj\u0101 zemsv\u012btras piez\u012bm\u0113 b\u016bs sniegta s\u012bk\u0101ka inform\u0101cija:<\/p>\n\n\n\n<p><em>^1 John Smith, *History of Modern Times* (Paris: Academic Press, 2010), 123. lpp.<\/em><\/p>\n\n\n\n<p>Humanit\u0101ro zin\u0101t\u0146u p\u0113t\u012bjumos parasti ir pla\u0161i koment\u0101ri un nians\u0113tas diskusijas par avotiem, t\u0101p\u0113c ir lietder\u012bgi izmantot piez\u012bmes, nevis cit\u0101tus tekst\u0101. Izmantojot \u0161o metodi, gan arguments, gan apstiprino\u0161ie pier\u0101d\u012bjumi tiek pasniegti ar liel\u0101ku eleganci.<\/p>\n\n\n\n<h2>Nor\u0101\u017eu un beigu piez\u012bmju format\u0113\u0161ana<\/h2>\n\n\n\n<p>MHRA cit\u0113\u0161anas stila zemsv\u012btras piez\u012bmes un piez\u012bmes kalpo k\u0101 b\u016btiski instrumenti atsau\u010du un papildu koment\u0101ru snieg\u0161anai j\u016bsu akad\u0113miskaj\u0101 darb\u0101. Lai nodro\u0161in\u0101tu, ka t\u0101s ir pareizi noform\u0113tas, \u0161eit ir sniegta detaliz\u0113ta rokasgr\u0101mata.<\/p>\n\n\n\n<h3>Virsraksta ciparu izvieto\u0161ana<\/h3>\n\n\n\n<ul>\n<li><strong>Tekst\u0101<\/strong>: Virsburtu cipari j\u0101novieto teikuma vai teikuma, kur\u0101 ir atsauce, beig\u0101s aiz interpunkcijas z\u012bm\u0113m (piem\u0113ram, \"Saska\u0146\u0101 ar Smita teikto, teorija ir labi pamatota ar pier\u0101d\u012bjumiem.^1\").<\/li>\n\n\n\n<li><strong>Sec\u012bg\u0101 sec\u012bba:<\/strong> Virsrakstu numuriem j\u0101b\u016bt numur\u0113tiem sec\u012bgi vis\u0101 dokument\u0101, s\u0101kot ar 1 un turpinot l\u012bdz beig\u0101m. Ja uz avotu atsaucas vair\u0101kas reizes, katrai atsaucei tiek pie\u0161\u0137irts jauns numurs.<\/li>\n<\/ul>\n\n\n\n<p>Pirm\u0101s atsauces uz avotu format\u0113\u0161ana:&nbsp;<\/p>\n\n\n\n<ul>\n<li><strong>Autora v\u0101rds un uzv\u0101rds:<\/strong> S\u0101ciet ar autora v\u0101rdu un uzv\u0101rdu.<\/li>\n\n\n\n<li><strong>Darba nosaukums<\/strong>: Gr\u0101matu un rakstu nosaukumus rakstiet sl\u012bprakst\u0101, bet noda\u013c\u0101m un t\u012bmek\u013ca lap\u0101m - p\u0113di\u0146\u0101s.<\/li>\n\n\n\n<li><strong>Publik\u0101cijas inform\u0101cija:<\/strong> Gr\u0101mat\u0101m nor\u0101diet izdo\u0161anas vietu, izdev\u0113ju un izdo\u0161anas gadu. Rakstiem nor\u0101diet \u017eurn\u0101la nosaukumu, s\u0113jumu, numuru un gadu.<\/li>\n\n\n\n<li><strong>Lapu numuri:<\/strong> Nor\u0101diet konkr\u0113to(-\u0101s) lapas(-u) numuru(-us), uz kuru(-iem) ir atsauce.<\/li>\n<\/ul>\n\n\n\n<p>Piem\u0113ram:<\/p>\n\n\n\n<p>John Smith, The Study of Literature (New York: Academic Press, 2020), 45. lpp.<\/p>\n\n\n\n<h3>Turpm\u0101ko atsau\u010du sa\u012bsin\u0101\u0161ana<\/h3>\n\n\n\n<ul>\n<li><strong>Sa\u012bsin\u0101t\u0101 forma:<\/strong> Vair\u0101kk\u0101rt cit\u0113jot vienu un to pa\u0161u avotu, izmantojiet sa\u012bsin\u0101to formu. Parasti tas ietver autora uzv\u0101rdu, sa\u012bsin\u0101tu nosaukumu un lapas numuru.<\/li>\n\n\n\n<li><strong>Turpat:<\/strong> Ja n\u0101kam\u0101 atsauce attiecas uz to pa\u0161u lappusi, kas s\u0101kotn\u0113j\u0101 cit\u0101t\u0101, varat lietot \"Ibid.\", neatk\u0101rtojot inform\u0101ciju.<\/li>\n<\/ul>\n\n\n\n<p>Piem\u0113ram:<\/p>\n\n\n\n<p>2. Smith, Study of Literature, p. 50.<\/p>\n\n\n\n<p>3. Turpat, 51. lpp.<\/p>\n\n\n\n<h3>Zemsv\u012btras piez\u012bmju ierakstu piem\u0113ri<\/h3>\n\n\n\n<p><strong>Gr\u0101matas<\/strong><\/p>\n\n\n\n<p>1. John Smith, The Study of Literature (New York: Academic Press, 2020), 45. lpp.<\/p>\n\n\n\n<p>2. Jane Doe, Introduction to Humanities (London: Scholar Press, 2018), 67. lpp.<\/p>\n\n\n\n<p><strong>\u017durn\u0101la raksti<\/strong><\/p>\n\n\n\n<p>3. Michael Brown, \"Analyzing Modern Poetry\", Journal of Literary Studies, 15 (2019), 123-45 (120. lpp.).<\/p>\n\n\n\n<p><strong>T\u012bmek\u013ca vietnes<\/strong><\/p>\n\n\n\n<p>4. Laura Green, \"The Evolution of Digital Humanities\", Humanities Online, 2022. gada 22. marts http:\/\/www.humanitiesonline.org\/articles\/evolution [skat\u012bts 2024. gada 25. j\u016bnij\u0101].<\/p>\n\n\n\n<h3>Padomi par konsekventu un prec\u012bzu zemsv\u012btras piez\u012bmju lieto\u0161anu<\/h3>\n\n\n\n<ol>\n<li>Vis\u0101m zemsv\u012btras piez\u012bm\u0113m j\u0101b\u016bt konsekventi format\u0113t\u0101m. Saglab\u0101jiet dokumenta stila un strukt\u016bras konsekvenci.<\/li>\n\n\n\n<li>P\u0101rliecinieties, ka visi dati, piem\u0113ram, autora v\u0101rds, nosaukums, publik\u0101cijas numurs un lappuses numurs, ir prec\u012bzi.<\/li>\n\n\n\n<li>Izvairieties no zemsv\u012btras piez\u012bmju dubl\u0113\u0161an\u0101s, izmantojot savstarp\u0113jo atsau\u010du sist\u0113mu.<\/li>\n\n\n\n<li>Lai nodro\u0161in\u0101tu, ka zemsv\u012btras piez\u012bmes ir prec\u012bzas, r\u016bp\u012bgi p\u0101rbaudiet dokumentu.<\/li>\n<\/ol>\n\n\n\n<p>MHRA cit\u0113\u0161anas stila vadl\u012bnijas var izmantot, lai nodro\u0161in\u0101tu, ka j\u016bsu zemsv\u012btras piez\u012bmes un piez\u012bmes ir skaidras, prec\u012bzas un pareizi noform\u0113tas. \u0160\u0101di r\u012bkojoties, j\u016bs ne tikai veicin\u0101siet sava darba ticam\u012bbu, bet ar\u012b padar\u012bsiet savus avotus pieejam\u0101kus las\u012bt\u0101jiem.<\/p>\n\n\n\n<h2>Bibliogr\u0101fijas izveide<\/h2>\n\n\n\n<p>Veidojot bibliogr\u0101fiju MHRA cit\u0113\u0161anas stil\u0101, ir svar\u012bgi iev\u0113rot \u012bpa\u0161as vadl\u012bnijas, lai nodro\u0161in\u0101tu konsekvenci un precizit\u0101ti. \u0160eit ir da\u017eas galven\u0101s lietas, kas j\u0101\u0146em v\u0113r\u0101.<\/p>\n\n\n\n<p><strong>Bibliogr\u0101fijas strukt\u016bra un izk\u0101rtojums<\/strong><\/p>\n\n\n\n<p>Bibliogr\u0101fija j\u0101struktur\u0113, \u0146emot v\u0113r\u0101 \u0161\u0101dus apsv\u0113rumus:<\/p>\n\n\n\n<ul>\n<li><strong>Nosaukums:<\/strong> V\u0101rdu \"Bibliography\" ievietojiet lapas aug\u0161pus\u0113 pa vidu.<\/li>\n\n\n\n<li><strong>Att\u0101lums:<\/strong> Bibliogr\u0101fijai j\u0101b\u016bt ar div\u0101m atstarp\u0113m.<\/li>\n\n\n\n<li><strong>Atk\u0101pes:<\/strong> Katram ierakstam izmantojiet piek\u0101rto atk\u0101pi, kur pirm\u0101 rinda ir vien\u0101 l\u012bmen\u012b ar kreiso malu, bet n\u0101kam\u0101s rindas ir ar atk\u0101pi.<\/li>\n\n\n\n<li><strong>Pas\u016bt\u012bjums:<\/strong> Ierakstus sak\u0101rtojiet alfab\u0113tisk\u0101 sec\u012bb\u0101 p\u0113c autora uzv\u0101rda. Ja autora nav, sak\u0101rtojiet alfab\u0113tisk\u0101 sec\u012bb\u0101 p\u0113c nosaukuma. Ja vien\u0101 gad\u0101 ir vair\u0101ki viena un t\u0101 pa\u0161a autora darbi, no\u0161\u0137iriet tos, pievienojot mazo burtu (piem\u0113ram, 2023a, 2023b).<\/li>\n<\/ul>\n\n\n\n<h2>Bie\u017e\u0101k min\u0113tie avoti un to MHRA form\u0101ti<\/h2>\n\n\n\n<h3>Gr\u0101matas<\/h3>\n\n\n\n<h4>Viens autors<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme: <\/strong>Autora v\u0101rds Uzv\u0101rds, gr\u0101matas nosaukums (izdo\u0161anas vieta: izdev\u0113js, gads), lappuses numurs.<\/li>\n\n\n\n<li><strong>Piem\u0113rs: <\/strong>John Smith, History of Modern Europe (London: Penguin, 2010), 24. lpp.<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Autora uzv\u0101rds, v\u0101rds. Gr\u0101matas nosaukums. Publik\u0101cijas vieta: Izdev\u0113js, gads.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Smith, John. Modern\u0101s Eiropas v\u0113sture. Londona: Penguin, 2010.<\/li>\n<\/ul>\n\n\n\n<h4>Vair\u0101ki autori<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme:<\/strong> Pirm\u0101 autora v\u0101rds uzv\u0101rds un otra autora v\u0101rds uzv\u0101rds, gr\u0101matas nosaukums (izdo\u0161anas vieta: izdev\u0113js, gads), lapas numurs.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> John Smith and Jane Doe, Exploring the World (New York: HarperCollins, 2015), 46. lpp.<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Pirm\u0101 autora uzv\u0101rds, v\u0101rds, uzv\u0101rds un otra autora v\u0101rds, uzv\u0101rds, uzv\u0101rds. Gr\u0101matas nosaukums. Publik\u0101cijas vieta: Izdev\u0113js, gads.<\/li>\n\n\n\n<li><strong>Piem\u0113rs<\/strong>: Smits, D\u017eons un D\u017eeina Doe. Izp\u0113t\u012bt pasauli. \u0145ujorka: HarperCollins, 2015. gads.<\/li>\n<\/ul>\n\n\n\n<h4>Redi\u0123\u0113tie s\u0113jumi<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme:<\/strong> Redaktora v\u0101rds Uzv\u0101rds (ed.), gr\u0101matas nosaukums (izdo\u0161anas vieta: izdev\u0113js, gads), lapas numurs.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Michael Brown (ed.), Anthology of Medieval Literature (Cambridge: Cambridge University Press, 2008), 68. lpp.<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Redaktora uzv\u0101rds, v\u0101rds, ed. Gr\u0101matas nosaukums. Publik\u0101cijas vieta: Izdev\u0113js, gads.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Brown, Michael, red. Anthology of Medieval Literature. Cambridge: Cambridge University Press, 2008.<\/li>\n<\/ul>\n\n\n\n<h3>\u017durn\u0101la raksti<\/h3>\n\n\n\n<h4>\u017durn\u0101la raksts druk\u0101t\u0101 form\u0101t\u0101<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme: <\/strong>Autora v\u0101rds Uzv\u0101rds, \"Raksta nosaukums\", \u017eurn\u0101la nosaukums, s\u0113juma numurs (gads), lappuses numurs.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Lisa Green, \"Revisiting Gothic Architecture\", Journal of Art History, 14 (2011), 123. lpp.<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Autora uzv\u0101rds, v\u0101rds. \"Raksta nosaukums\". \u017durn\u0101la nosaukums, s\u0113juma numurs (gads), lappu\u0161u diapazons.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Green, Lisa. \"Gotikas arhitekt\u016bras p\u0101rskat\u012b\u0161ana\". Journal of Art History, 14 (2011), 115-130.<\/li>\n<\/ul>\n\n\n\n<h4>Online \u017eurn\u0101la raksts<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme:<\/strong> Autora v\u0101rds Uzv\u0101rds, \"Raksta nosaukums\", \u017eurn\u0101la nosaukums, s\u0113juma numurs (gads), lappuses numurs  [skat\u012bts Diena M\u0113nesis Gads].<\/li>\n\n\n\n<li><strong>Piem\u0113rs: <\/strong>Lisa Green, \"Revisiting Gothic Architecture\", Journal of Art History, 14 (2011), 123. lpp. http:\/\/www.example.com [skat\u012bts 20. j\u016bnij\u0101 2024].<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Autora uzv\u0101rds, v\u0101rds. \"Raksta nosaukums\". \u017durn\u0101la nosaukums, s\u0113juma numurs (gads), lappu\u0161u diapazons  [piek\u013cuve Diena M\u0113nesis Gads].<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Green, Lisa. \"Gotikas arhitekt\u016bras p\u0101rskat\u012b\u0161ana\". Journal of Art History, 14 (2011), 115-130 http:\/\/www.example.com [skat\u012bts 20. j\u016bnij\u0101 2024].<\/li>\n<\/ul>\n\n\n\n<h3>T\u012bmek\u013ca vietnes un tie\u0161saistes resursi<\/h3>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme:<\/strong> Autora v\u0101rds Uzv\u0101rds, \"Weblapas nosaukums\", T\u012bmek\u013ca vietnes nosaukums, gads  [piek\u013cuve Diena M\u0113nesis Gads].<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> Sarah Johnson, \"The Renaissance Art Movement\", Art History Online, 2019 http:\/\/www.arthistoryonline.com [skat\u012bts 20. j\u016bnij\u0101 2024].<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Autora uzv\u0101rds, v\u0101rds. \"Weblapas nosaukums\". T\u012bmek\u013ca vietnes nosaukums. Gads  [piek\u013cuve Diena M\u0113nesis Gads].<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> D\u017eonsone, S\u0101ra. \"Renesanses m\u0101kslas kust\u012bba\". Art History Online. 2019 http:\/\/www.arthistoryonline.com [skat\u012bts 20. j\u016bnij\u0101 2024].<\/li>\n<\/ul>\n\n\n\n<h3>Vizu\u0101lie un multivides avoti<\/h3>\n\n\n\n<h4>Filma<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme:<\/strong> Filmas nosaukums, re\u017eisors Re\u017eisora v\u0101rds Uzv\u0101rds (producentu komp\u0101nija, gads).<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> S\u0101kums, re\u017eisors Kristofers Nolans (Warner Bros., 2010).<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija:<\/strong> Filmas nosaukums. Re\u017eisors Re\u017eisora v\u0101rds V\u0101rds Uzv\u0101rds. Ra\u017eo\u0161anas komp\u0101nija, gads.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> S\u0101kums. Re\u017eisors: Kristofers Nolans. Warner Bros., 2010.<\/li>\n<\/ul>\n\n\n\n<h4>M\u0101kslas darbi<\/h4>\n\n\n\n<ul>\n<li><strong>Zemsv\u012btras piez\u012bme:<\/strong> M\u0101kslinieka v\u0101rds Uzv\u0101rds, m\u0101kslas darba nosaukums, gads, medijs, kolekcijas vai muzeja nosaukums, atra\u0161an\u0101s vieta.<\/li>\n\n\n\n<li><strong>Piem\u0113rs: <\/strong>Vinsents van Gogs, Zvaig\u017e\u0146ot\u0101 nakts, 1889, e\u013c\u013ca uz audek\u013ca, Modern\u0101s m\u0101kslas muzejs, \u0145ujorka.<\/li>\n\n\n\n<li><strong>Bibliogr\u0101fija: <\/strong>M\u0101kslinieka uzv\u0101rds, v\u0101rds. M\u0101kslas darba nosaukums. Gads. Medijs. Kolekcijas vai muzeja nosaukums, atra\u0161an\u0101s vieta.<\/li>\n\n\n\n<li><strong>Piem\u0113rs:<\/strong> van Gogs, Vinsents. Zvaig\u017e\u0146ot\u0101 nakts. 1889. E\u013c\u013cas kr\u0101sas uz audekla. Modern\u0101s m\u0101kslas muzejs, \u0145ujorka.<\/li>\n<\/ul>\n\n\n\n<h2>Mind The Graph r\u012bku izmanto\u0161ana, lai ietaup\u012btu j\u016bsu laiku<\/h2>\n\n\n\n<p>Iedzi\u013cinieties p\u0113t\u012bjumos un bez piep\u016bles veidojiet saisto\u0161us vizu\u0101lus, kas piesaista j\u016bsu auditorijas uzman\u012bbu, vienlaikus ietaupot laiku, lai tos padar\u012btu vizu\u0101li pievilc\u012bgus. No sare\u017e\u0123\u012bt\u0101m datu kop\u0101m l\u012bdz sare\u017e\u0123\u012btiem j\u0113dzieniem, <a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" target=\"_blank\" rel=\"noreferrer noopener\">Mind the Graph<\/a> \u013cauj jums izveidot p\u0101rliecino\u0161as infografikas, kas izraisa rezonansi las\u012bt\u0101ju ac\u012bs. Apmekl\u0113jiet m\u016bsu <a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" target=\"_blank\" rel=\"noreferrer noopener\">t\u012bmek\u013ca vietne<\/a> papildu inform\u0101cijai.<\/p>\n\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\"><img decoding=\"async\" loading=\"lazy\" width=\"594\" height=\"463\" src=\"https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters.png\" alt=\"zin\u0101tniski prec\u012bzi plak\u0101ti\" class=\"wp-image-25484\" srcset=\"https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters.png 594w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-300x234.png 300w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-15x12.png 15w, https:\/\/mindthegraph.com\/blog\/wp-content\/uploads\/2022\/11\/scientifically-accurate-posters-100x78.png 100w\" sizes=\"(max-width: 594px) 100vw, 594px\" \/><\/a><\/figure><\/div>\n\n\n<div style=\"height:18px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"is-layout-flex wp-block-buttons\">\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/mindthegraph.com\/?utm_source=blog&amp;utm_medium=content\" style=\"border-radius:50px;background-color:#dc1866\" target=\"_blank\" rel=\"noreferrer noopener\">S\u0101ciet veidot ar Mind the Graph<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Iepaz\u012bstiet MHRA cit\u0113\u0161anas stila pamatprincipus prec\u012bzai atsau\u010du snieg\u0161anai humanit\u0101raj\u0101s zin\u0101tn\u0113s un literat\u016br\u0101. <\/p>","protected":false},"author":27,"featured_media":55055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[989,978],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Citation Guide: Essential of MHRA Citation Style<\/title>\n<meta name=\"description\" content=\"Discover the essentials of MHRA citation style for accurate academic referencing in humanities and literature.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mindthegraph.com\/blog\/lv\/mhra-citation-style\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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She is currently pursuing a master's degree in Bioentrepreneurship from Karolinska Institute. She is interested in health and diseases, global health, socioeconomic development, and women's health. As a science enthusiast, she is keen in learning more about the scientific world and wants to play a part in making a difference.","sameAs":["http:\/\/linkedin.com\/in\/aayushizaveri"],"url":"https:\/\/mindthegraph.com\/blog\/lv\/author\/aayuyshi\/"}]}},"_links":{"self":[{"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/posts\/55052"}],"collection":[{"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/comments?post=55052"}],"version-history":[{"count":3,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/posts\/55052\/revisions"}],"predecessor-version":[{"id":55062,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/posts\/55052\/revisions\/55062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/media\/55055"}],"wp:attachment":[{"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/media?parent=55052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/categories?post=55052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mindthegraph.com\/blog\/lv\/wp-json\/wp\/v2\/tags?post=55052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}